Works by William Holman Hunt.
Nineteenth-Century Artists
John Brett, Val d'Aosta. 1858. Oil on canvas, 34 1/2 x 26 7/8 in. Collection Sir Francis Cooper.
Ford Madox Brown. Jesus Washing Peter's Feet. 1852-56. Retouched several times up to 1892. Oil on canvas 46 x 52 l/4 in. Tate Gallery, London.
Ford Madox Brown.Our Lady of Good Children. 1847; retouched 1861. Watercolor and pastel, 30 3/4 x 23 l/4 in. Tate Gallery, London.
Ford Madox Brown. Work. 1852-65. Oil on canvas, arched top, 53 15/16 x 77 11/16 in. Manchester City Art Galleries.
Edward Burne-Jones. The Angels of Creation — The Sixth Day. 1870-6. Watercolor on canvas. 40 x 14 in. Fogg Art Museum. HarvardUniversity.
Philip Hermogenes Calderon. Broken Vows. 1856. Oil on canvas, 35 1/2 x26 l/2 in. Tate Gallery, London.
Samuel Coleman. The Coming of the Messiah and the Destruction of Babylon. c. 1820s. Oil on canvas, 54 x 75 in. Bristol Museum and Art Gallery.
Charles Allston Collins. Berengaria's Alarm for the safety of her husband, Richard Coeur de Lion, awakened by the sight of his girdle for sale at Rome (The Pedlar). 1850. Oil on canvas, 39 7/8 x 42 in. Manchester City Art Galleries.
Augustus Leopold Egg. Past and Present. Part I, Part 2, Part 3 1858. Oil on canvas, 25 x 30 in. Tate Gallery, London.
Augustus Leopold Egg. The Travelling Companions. 1862. Oil on canvas, 25 3/8 x 30 1/8 in. Birmingham City Museums and Art Gallery.
Sir Francis Grant, P.R.A. Portrait of General Sir Josiah Champagne, G.C.H. 1836. Oil on canvas, 50 x 40 in. Forbes Magazine Collection.
Arthur Hughes. April Love. 1856. Oil on canvas, arched top, 35 x 19 l/2 in. Tate Gallery, London.
Arthur Hughes. Home from the Sea. 1863. Oil on canvas, 20 x25 3/4 in. Ashmolean Museum, Oxford.
John Rogers Herbert. Our Saviour Subject to His Parents at Nazareth. 1847. Oil on canvas, 32 x 51 in. Guildhall Art Gallery, London.
John William Inchbold. The White Doe of Rylstone (At Bolton). 1855. Oil on canvas, 27 x 20 in. Leeds City Art Gallery.
John Everett Millais. A Huguenot, on St. Bartholomew's Day refusing to shield himself from danger by wearing a Roman Catholic badge. 1851-52. Oil on canvas, arched top, 36 l/2 x 24 l/4 in. Formerly Gallery of Modern Art, The Huntington Hart ford Collection, New York.
John Everett Millais. The North-West Passage. 1874. Oil on canvas, 69 l/2 x 87 l/2 in. Tate Gallery, London.
John Everett Millais. Christ in the House of His Parents. 1849-50. Oil on canvas, 34 x 55 in. Tate Gallery, London.
Richard Redgrave. The Poor Teacher (The Governess). 1844. Oil on canvas, 28 x 36 in. Victoria and Albert Museum, London.
Dante Gabriel Rossetti. Dante's Dream at the Time of the Death of Beatrice. 1871-81. Oil on canvas, 83 x 125 in. Walker Art Gallery, Liverpool.
Dante Gabriel Rossetti. La Donna della Fiamma. 1870. Colored chalks, 39 5/8 x29 5/8 in. Manchester City Art Galleries.
Dante Gabriel Rossetti. Ecce Ancilla Domini (The Annunciation). 1849-50. Oil on canvas, 28 l/2 x 16 l/2 in. Tate Gallery, London.
Dante Gabriel Rossetti. Girlhood of Mary Virgin. 1848-49. Oil on canvas, 32 3/4 x23 3/4 in. Tate Gallery. London.
Dante Gabriel Rossetti. Lady Lilith. 1864-73. Oil on canvas, 37 l/2 x 32 in. Wilmington Society of the Fine Arts, Wilmington, Delaware.
Dante Gabriel Rossetti. Paolo and Francesca. 1849-62. Mixed media, 12 l/2 x23 3/4 in. Cecil Higgins Art Gallery, Bedford.
Dante Gabriel Rossetti. The Passover in the Holy Family. 1855-56. Watercolor. 16 x 17 in. Tate Gallery. London.
Dante Gabriel Rossetti. The Seed of David. 1858-64. Oil on canvas, arched top, central portion 90 x 60 in. Wings each 73 x 24 1/2 in. Llandaff Cathedral.
Thomas Seddon. Jerusalem and the Valley of Jehosophat. 1854. Oil on canvas, 26 l/2 x 32 3/4 in. Tate Gallery, London.
Thomas Uwins. The Thorny and the Flowery Path. 1853. Wood engraving. From Illustrated London News, 22 (7 May 1853), 349.
Henry Wallis. The Death of Chatterton. 1856. Oil on canvas, 24 l/2 x 36 3/4 in. Tate Gallery, London.
Thomas Webster. A Letter from Abroad. 1834. Oil on canvas, 16 l/4 X 20 1/2 in. Tate Gallery, London.
Eighteenth- and Nineteenth-Century Book Illustration and Graphic Work
W. H. Fisk. The Guest. c. 1867. Wood engraving, 6 l/2 x 5 in. From The Illustrated Book of Sacred Poems, ed. Robert H. Baynes (London, Paris, and New York, n.d. [1867]), 336.
William Gale. Nazareth. Engraving. From Art-Journal, 31 (1869), 373.
William Hogarth. Credulity, Superstition and Fanaticism. 1762. Engraving. 14 l/2 x 12 5/8 in. Ashmolean Museum, Oxford.
William Hogarth. Death of the Earl, from Marriage à la Mode (V). Engraving, 13 15/16 x 17 l/2 in. Ashmolean Museum, Oxford.
Gustav Jäger. Joseph Acknowledging His Brethren. Engraving, 4 1/4 x 5 1/4 in. From "Examples of German Artists," Art-Journal, 13 (1851), 111.
Gustav Jäger. Joseph Interpreting Pharaoh's Dream. Engraving. 4 l/4 x 5 l/4 in. From "Examples of German Artists," Art-Journal, 13 (1851), 110.
W. Rainey. Christ before thy door is waiting . c. 1883. Wood engraving[?], 3 1/2 x 3 in. From William Adams, Sacred Allegories (London, 1883), 232.
Julius Schnorr von Carolsfeld. The Raising of the Widow's Son. 1855. Engraving, 8 5/8 x10 5/16. in. From The Bible in Pictures (Glasgow, 1869). Bodleian Library Oxford.
Julius Schnorr von Carolsfeld. Joseph Interprets Pharaoh's Dream. 1855. Engraving. 8 5/8 x 10 5/16 in. From The Bible in Pictures (Glasgow, 1869). Bodleian Library. Oxford.
Northern and Italian Renaissance Artists
Pieter Coecke. The Last Supper. 1531. Panel, 25 x32 l/4 in. Musées Royaux des Beaux-Arts, Brussels.
Gerard David. Mystic Marriage of St. Catherine (Virgin and Child with Saints and Donor). c. 1505. Panel, 41 x 56 3/4 in. National Gallery, London.
Gerard David. Virgin and Child with a Bowl of Milk. c. 1520. Panel, 13 3/4 x 11 3/8 in. Musées Royaux des Beaux-Arts, Brussels.
Albrecht Dürer. Man of Sorrows with Hands Raised. c. 1500. Engraving, 4 1/4 x 2 3/4 in. Metropolitan Museum of Art, New York.
Albrecht Dürer. Detail of Young Woman Attacked by Death (The Ravisher). c. 1495. Engraving, 4 3/8 x3 7/8 in. British Museum, London.
Juan de Flandres. Detail of Saints Michael and Francis. c. 1500-20. Tempera and oil on panel. Metropolitan Museum of Art New York.
Manchester Master. Virgin and Child. Mid sixteenth century. Oil on canvas. National Gallery, London.
Hans Memlinc. Triptych of the Mystic Marriage of St. Catherine. 1479. Panel, 67 3/4 x 67 3/4 in. (center); 67 3/4 x 31 l/8 in. (each wing). Hospital of St. John, Bruges.
Hans Memlinc. Virgin and Child from the Diptych of Martin von Nieuwenhove. 1487. Panel, 17 3/8 x 13 in. Hospital of St. John, Bruges.
Jacopo Tintoretto. The Annunciation. c. 1582-57. Oil on canvas, 116 x 214 l/2 in. Scuola di San Rocco, Venice.
Hugo van der Goes. Death of the Virgin. c. 148 1. Panel, 57 3/4 x47 5/8 in. Groeningemuseum, Bru ges .
Jan van Eyck. The Ghent altarpiece (closed). c. 1425-32. Panel, 1373/4 in. (H). Cathedral of St. Bavon, Ghent.
Jan van Eyck. Ghent altarpiece (open, central panel). c. 1425-32. Panel. Cathedral of St. Bavon, Ghent. Jan van Eyck. Giovanni Arnolfini and His Wife (The Arnolfini Portrait). 1434. Panel, 32 l/4 x 23 l/2 in. National Gallery, London.
Jan van Eyck. Madonna with Chancellor Nicholas Rolin (The Virgin of Autun). c. 1433. Panel, 26 x 24 3/8 in.
Jan van Eyck. Madonna of Canon George van der Paele with Saints Donation and George. 1434-6. Panel, 48 l/8 x62 l/8 in. Groeningemuseum, Bruges.
Jan van Eyck. Van Eyck's The Virgin at the Fountain. 1439. Panel, 7 1/2 x 4 3/4 in. Musée Royal des Beaux-Arts, Antwerp.
Rogier van der Weyden. The Annunciation. c. 1435. Panel, 33 7/8 x 36 1/4 in. Musée du Louvre, Paris.
Last modified 8 February 2005