[Links take you to material in the Victorian Web. If the catalogue of the Crowther-Oblak Collection contains a single work, clicking on the name of the artist will take you to that painting or drawing; if it contains more than one work, clicking on the name of the artist will take you to the sitemap (homepage) for that artist or the first in a series of works. — George P. Landow]
- Acknowledgements
- Foreword by Barbara Jaki
- Introduction
- Style in Victorian Art by Paul Crowther
- Mojca Oblak’s Work
- Biographies
- Chronology
- Bibliography of Sources Quoted
- Terminology, abbreviation, technical vocabulary
Catalogue
- Sir Lawrence Alma Tadema
- George Price Boyce
- John Brett
- Ceibwr Bay (Wales) (1882)
- Ynys Mon (Anglesey) (1875)
- Portrait of Mary Brett (1868)
- Portrait of a Woman (c. 1859)
- Ford Madox Brown
- Sir Edward Coley Burne-Jones
- Hic Santa Cecilia Virum Suum Docet (Here St. Cecilia Teaches Her Man)
- Hic Angelus Domini Sanctam Ceciliam Docet (Here the Angel of the Lord Teaches St. Cecilia)
- Two Angels—An Escutcheon Design for the Emblems of the Apostles (before 1872)
- Study for "Love Amongst the Ruins" (1865−1870)
- Selene and Endymion [?]
- Study of Head of Christ Crowned with Thorns
- Song of Solomon (in the style of Burne-Jones)
- Phillip Hermogenes Calderon
- James Collinson
- Image Boy (1858)
- A Half-Length Portrait of a Woman Dressed in Black, Holding a Bible and Seated in a Chair (attributed to Collinosn) (c. 1850)
- Charles West Cope
- Preliminary Sketch for "Griselda's First Trial of Patience" (1848)
- Oliver Cromwell and His Secretary John Milton, Receiving a Deputation Seeking Aid for the Savoy Protestants (1872)
- Miss Hinton (1876)
- William Daniels
- The Song of the Shirt (1875)
- Portrait of a Lady Wearing a Black Jacket (attributed to Daniels) (1850s)
- William Davis
- Glendalough, County Wicklow (1853)
- Eastham—Fishergirl on the Mersey Foreshore (1854)
- Wild Flowers Beside a Rocky Pool (1859)
- View of Bidston (1872−73)
- Evelyn De Morgan
- Augustus Leopold Egg
- Willam Maw Egley
- Alfred Elmore
- William Etty
- Hubert Sigismund Christian Goetze
- J. Gibbs
- Fredrick Goodall
- Albert Goodwin
- Sir Hubert Herkomer
- Music (Woman Playing a Guitar) (1881)
- Melody (Woman Holding a Lute) (1879)
- Portrait of a Seated Woman (c. 1875)
- Henry George Holiday
- The Raising of Lazarus, and the Raising of Jairus's Daughter (c. 1885)
- The Raising of Lazarus (1885)
- Of Such is the Kingdom of Heaven
- Arthur Hughes
- Edward Robert Hughes
- Alfred William Hunt
- A Lake District Scene (late 1840s)
- A Lake District Watermill
- Beeston Castle
- Cochem on the Moselle (c. 1859)
- The Greta at Rokeby (c. 1863)
- A Stream in Moorland Landscape
- Glen Nevis, Scotland (185[7?])
- The Acropolis
- The Frankish Tower (c. 1869−70)
- Mountain Landscape with Cattle
- Flynnon Llugwy, Penyrhelgi Summit, Wales
- Mountain Landscape
- Rocky Hillside Near Flamborough Head, Yorkshire
- Whitby
- William Holman Hunt
- Portrait of Charles Allston Collins (1852)
- A View of the Taurus Mountains from Mersin, Terkey (a.k.a. Tarsus) (1855)
- Approach to Jaffa (1854)
- John William Inchbold
- Benjamin Williams Leader
- Edward Lear
- Lord Frederic Leighton
- Portrait of Arthur Schopenhauer (1847)
- Classical Frieze Study (Wedding Feast of Pelleias and Thetis)
- Portrait of Alexandra Leighton (later Mrs. Sutherland Orr) (c. 1853)
- Lugliano (1859)
- Alla Villa [?] (1859)
- Ponte Vecchio (1858)
- Girl in Classical Dress (c. 1872)
- Study of a Headdress and a Sitting Figure (c. 1887)
- Study of a Drapery at Waist (c. 1887)
- Drapery Study of a Standing Figure (c. 1887)
- Drapery Study (c. 1887)
- Drapery Study (c. 1887)
- John Frederick Lewis
- John Seymour Lucas
- John Everett Millais
- William Morris
- Edward John Poynter
- Study of Two Heads (c. 1860)
- Head of a Man (Left Profile) (c. 1860)
- Young St. Peter (c. 1860)
- Head of a Man (c. 1860)
- Two Studies of a Female Head (Right Profile) (c. 1860)
- Study of a Female Face (Right Profile) (c. 1860)
- Head of a Man (Left Profile) (c. 1860)
- Partial Female Face Study (c. 1860)
- Head of a Man (c. 1860)
- Study of a Bearded Face (c. 1860)
- Study of an Androgeneous Face (c. 1860)
- Two Studies of Hands (c. 1860)
- Two Studies of Hands (c. 1860)
- Three Studies of Hands (c. 1860)
- Four Studies of Hands (c. 1860)
- Two Studies of a Right Foot (c. 1860)
- Study of a Left Foot (c. 1860)
- Study of a Kneeling Female Figure and Joined Hands (c. 1860)
- Study for Last Supper (the Institution of the Eucharist) (c. 1860)
- Study of an Arm (1883)
- View of Orta (1898)
- View of Ribeiro Frio from Balcoes (Madeira) (1898)
- Tintagel (1901)
- Ornamental Lake
- Study of a Roman Bath for the Swimming Champion (c. 1914)
- Valentine Cameron Prinsep
- John Samuel Raven
- Dante Gabriel Rossetti
- Portrait of Margaret Polidori (1794–1867) (1853)
- Portrait of Gaetano Polidori (1764–1853) (1844, executed 1853)
- John Ruskin
- Malham Cove (c. 1837)
- Mossgrown Stone
- A Weathered Dressed Stone in a Minimal Landscape (late 1830s–early 1840s)
- Wild Primroses
- Coblentz Bridge After Turner (c. 1857) [large version]
- Coblentz Bridge After Turner (c. 1857) [small version]
- William Bell Scott
- John Liston Byam Shaw
- Private Affection Bereaves Us Easily of True Judgment
- Esteem Not Thyself Better Than Others Lest in the Sight of God Thou Be Accounted Worse Than They
- There Was Never Saint So Highly Rapt Who First or Last Was Not Tempted
- End of Act II (1913)
- Marcus Stone
- John Melhuish Strudwick
- Edward Matthew Ward
- John William Waterhouse
- Interior at Pompeii
- Study for "Ophelia"
- Study of an Arm (fragment)
- Possible Study for "Flora and the Zephyrs" and Other Figure Studies
- George Frederick Watts
- Portrait of John Whichelo (1839)
- Study after Van Dyck, Portrait of a Lady of Quality with Her Daughter
- Study after Portrait of a Gentleman (Rubens' brother?) with His Son
- Study after the Concert
- Study after Rembrandt, Self-portrait
- Study after an unidentified painting
- Study after Van Dyck, Charles I, King of England, at the Hunt
- Study after Titian's St. Mark Enthroned
- Study after Giorgione and Titian's Concert Champêtre
- Study after Correggio, The Mystic Marriage of Saint Catherine
- Study after Titian, Allegory of Marriage or Allegory of Alphonso d'Avalos
- Study after Tintoretto, Wedding Feast at Cana
- Study after Van Dyck, the so-called Portrait of Richardot and His Son
- Study after Correggio, Danae
- Study after Titian, Virgin with the Child and Saints
- Garden of Boccaccio
- Study of mourners under the cross after Tintoretto, Crucifixion
- Study of Elevation of the Cross and the three figures after Tintoretto, Crucifixion
- Study after Paolo Veronese, The Martyrdom of St. Justina; with Study after Reubens, Madonna della Cesta or Holy Family
- Watercolor and pencil studies after an unidentified painting (Alexander and Doctor?)
- Aristides giving up his command
- A Landscape (c. 1844)
- Watercolor study after Del Sarto
- Watercolor study after Pontormo, The Visitation
- The Mort
- Classical Figure
- Copy of an Engraving by Stubbs (1831)
- Lucretia (1840–50)
- Esau's Meeting with Jacob (1863)
- Lilian Mackintosh Reclining (c. 1900)
- The Good Samaritan (version A—with white horse)
- The Good Samaritan (version B)
- Faces Studies of Lilian Mackintosh (c. 1900)
- Portrait of Admiral Lord Lyons (c. 1855)
- Study of Prometheus Unbound
- Study for the Drowning of the Doctor (c. 1843–45)
- Portrait of Mrs. E. C. Baldock, a Study (c. 1880)
- James Abbott McNeill Whistler
- Thomas Woolner
Bibliography
Crowther, Paul. Awakening Beauty: The Crowther-Oblak Collection of Victorian Art. Exhibition catalogue. Ljubljana: National Gallery of Slovenia; Galway: Moore Institute, National University of Ireland, 2014.
Last modified 27 June 2017