The eleventh full-page illustration for Bleak House: Mr. and Mrs. Chadband and the Snagsbys, by Sol Eytinge, Jr. 7.8 cm high by 9.6 cm wide (2 ⅞ by 3 ⅞ inches), framed. The Diamond Edition of Dickens's Works, Volume VI (Boston: Ticknor and Fields, 1867), facing p. 204. [Click on the images to enlarge them.]

Passage Illustrated: A Satire on Self-Serving Evangelical Preachers

Mr. Chadband draws back his head and pauses, but Mr. Snagsby is not to be lured on to his destruction again. Mr. Chadband, leaning forward over the table, pierces what he has got to follow directly into Mr. Snagsby with the thumb-nail already mentioned.

"It is," says Chadband, "the ray of rays, the sun of suns, the moon of moons, the star of stars. It is the light of Terewth."

Mr. Chadband draws himself up again and looks triumphantly at Mr. Snagsby as if he would be glad to know how he feels after that.

"Of Terewth," says Mr. Chadband, hitting him again. "Say not to me that it is not the lamp of lamps. I say to you it is. I say to you, a million of times over, it is. It is! I say to you that I will proclaim it to you, whether you like it or not; nay, that the less you like it, the more I will proclaim it to you. With a speaking-trumpet! I say to you that if you rear yourself against it, you shall fall, you shall be bruised, you shall be battered, you shall be flawed, you shall be smashed."

The present effect of this flight of oratory — much admired for its general power by Mr. Chadband's followers — being not only to make Mr. Chadband unpleasantly warm, but to represent the innocent Mr. Snagsby in the light of a determined enemy to virtue, with a forehead of brass and a heart of adamant, that unfortunate tradesman becomes yet more disconcerted and is in a very advanced state of low spirits and false position when Mr. Chadband accidentally finishes him.

"My friends," he resumes after dabbing his fat head for some time—and it smokes to such an extent that he seems to light his pocket-handkerchief at it, which smokes, too, after every dab — "to pursue the subject we are endeavouring with our lowly gifts to improve, let us in a spirit of love inquire what is that Terewth to which I have alluded. For, my young friends," suddenly addressing the 'prentices and Guster, to their consternation, "if I am told by the doctor that calomel or castor-oil is good for me, I may naturally ask what is calomel, and what is castor-oil. I may wish to be informed of that before I dose myself with either or with both. Now, my young friends, what is this Terewth then? Firstly (in a spirit of love), what is the common sort of Terewth — the working clothes — the every-day wear, my young friends? Is it deception?"

("Ah—h!" from Mrs. Snagsby.) [Chapter XXV, "Mrs. Snagsby Sees It All," 204-205; Project Gutenberg etext (see bibliography below)]

Commentary

Dickens revels in having oily hypocrites such as the Mr. Chadband reveal themselves. Although he makes a great show of his religiosity, he always considers his own interests and is by no means underfed. Snagsby, the stationer, is naturally suspicious of the nonconformist preacher, but Mrs. Snagsby adores him. A significant association with the main plot is Mrs. Chadband's having once been the maid of Miss Barbary, Lady Dedlock's sister. The illustrators catch the dissenting minister in a tandard pose: he unctuously raises his hand whenever he is about to utter a homily, which he usually introduces with a rhetorical question. In contrast to his placid, well-rounded features, Mrs. Chadband is a severe-looking. Later he teams up with the Smallweeds in a plot to blackmail the Dedlocks about the illicit relationship between Lady Dedlock and Captain Hawdon.

Other​ Illustrations​ of The Sermonical Pastor, 1852-1910

Left: The original Phiz comic relief scene, Mr. Chadband 'Improving' a Tough Subject (October 1852). Right: Harry Furniss's similar Charles Dickens Library Edition full-page lithograph of the parlour sermon: Chadband at the Snagsbys (1910).

Related material, including front matter and sketches, by other illustrators for Bleak House (1852-1910)

Image scan and text by Philip V. Allingham. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image, and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]

Bibliography

Dickens, Charles. Bleak House. Illustrated by Hablot Knight Browne ("Phiz"). London: Bradbury & Evans. Bouverie Street, 1853.

Dickens, Charles. Bleak House. Illustrated by Hablot Knight Browne. London: Bradbury and Evans, 1853.

_______.  Bleak House. Illustrated by F. O. C. Darley and John Gilbert. The Works of Charles Dickens. The Household Edition. New York: Sheldon and Company, 1863. Vols. 1-4.

_______. Bleak House. Illustrated by Sol Eytinge, Jr, and engraved by A. V. S. Anthony. 14 vols. Boston: Ticknor & Fields, 1867. VI.

_______. Bleak House, with 61 illustrations by Fred Barnard. Household Edition, volume IV. London: Chapman and Hall, 1873.

_______. Bleak House. Illustrated by Harry Furniss. The Charles Dickens Library Edition. 18 vols. London: Educational Book, 1910. Vol. XI.

Hammerton, J. A. "Ch. XVIII. Bleak House."  The Dickens Picture-Book. London: Educational Book Co., [1910], 294-338.

Lester, Valerie Browne. Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004.

Steig, Michael. Chapter 6. "Bleak House and Little Dorrit: Iconography of Darkness." Dickens and Phiz. Bloomington & London: Indiana U. P., 1978. 131-172.

Vann, J. Don. "Bleak House, twenty parts in nineteen monthly instalments, October 1846—April 1848." Victorian Novels in Serial. New York: The Modern Language Association, 1985. 69-70./


Created 7 March 2021