Of Du Maurier, perhaps, more than of any other artist, it may be said that the man himself appears in his works; for in all that long series of inimitable drawings that for years added so greatly to the popularity of Punch, the refinement of his mind, his keen sense of humour, and his reverence for truth and manliness are no less conspicuous than his art." — John Guile Millais

Biographical Materials

Contemporary Contexts

Illustrations

Novels

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Poetry

Art Criticism

Review

Bibliography

The Brothers Dalziel, W. J. Linton, and Joseph Swain, engravers. The Cornhill Gallery Containing One Hundred Engravings from Drawings on Wood. London: Smith, Elder, 1864.

Hardy, Thomas. The Hand of Ethelberta: A Comedy in Chapters. The Cornhill Magazine. Vol. XXXII (1875).

Jackson, Arlene M. Illustration and the Novels of Thomas Hardy. Totowa, NJ: Rowman and Littlefield, 1981.

Page, Norman. "Thomas Hardy's Forgotten Illustrators." Bulletin of the New York Public Library 77, 4 (Summer, 1974): 454-463.

Sutherland, John. "The Cornhill Magazine." The Stanford Companion to Victorian Fiction. Stanford, Cal.: Stanford U. P., 1989. P. 150.

Sutherland, John. "Du Maurier, George [Louis Palmella Bousson]." The Stanford Companion to Victorian Fiction. Stanford, Cal.: Stanford U. P., 1989. Pp. 202-203.

Vann, J. Don. "Thomas Hardy (1840-1928. The Hand of Ethelberta in the Cornhill Magazine, July 1875-May 1876." in Victorian Novels in Serial. New York: The Modern Language Association, 1985. Page 83.


Created 27 June 2014

Last modified 12 January 2025