"Of du Maurier, perhaps, more than of any other artist, it may be said that the man himself appears in his works; for in all that long series of inimitable drawings that for years added so greatly to the popularity of Punch, the refinement of his mind, his keen sense of humour, and his reverence for truth and manliness are no less conspicuous than his art." — John Guile Millais
Biographical Materials
Contemporary Contexts
- Richard Kelly's "George du Maurier: The Satiric Artist"
- Social History (sitemap)
- Political History (sitemap)
Illustrations
- From George du Maurier to Hugh Thomson: Illustrating the Work of Elizabeth Gaskell
- An Engraved Wood-Block by George du Maurier
- English Society, a collection of more than 130 drawings from Punch and other sources.
- Visualizing the Sensational: George du Maurier’s Illustrations for The Notting Hill Mystery (7 plates)
- Margaret Oliphant's Carita (2 plates)
- The Hand of Ethelberta by Thomas Hardy (22 plates)
- A Laodicean by Thomas Hardy
- The Martian by George DuMaurier (48 plates)
- A Rose in June (10 plates)
- Three Feathers by William Black (10 plates)
- Trilby by George DuMaurier (121 plates)
- Zelda's Fortune by R. E. Francillon
- Drawings for unidentified texts or places of publication
- George Meredith's The Adventures of Harry Richmond
Novels
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- Trilby
- The Martian
- Peter Ibbetson***
Poetry
Art Criticism
- "The Illustration of Books from the Serious Artist's Point of View. — I." (1890)
- Parody as Art Critricism: "A Legend of Camelot," or Punch on the Aesthetic Pre-Raphaelites
Review
Last modified 21 December 2023