The Savoy Operas (scored by Sir Arthur Sullivan, produced by Richard D'Oyly Carte)
- Showed existence of a market for English operetta
- precipitated the two-way split of burlesque into operetta and variety entertainment
- Use of the wienerische Note)
- "The Judge's Song"
- The work which made Gilbert and Sullivan into an institution
- Poorly received by critics
- Love as subject cuts across class lines
- "Sir Joseph Porter's Song" ("When I was a Lad I served a Term")
- Dragoons not an unfair caricature of martial characters met with in the drawing room up to that time
- competing markets in cultural goods: Bunthome the fleshly poet and Grosvenor the idyllic one
- Patience, Satire, and Self-Righteousness
- The Comic Physiognomist (early '60s)
- A number of burlesque dramatic reviews (1865-1871)
- Bab Ballads (first collection: 1869)
- Dulcamara! or, The Little Duck and the Great Quack (1866)
- La Vivandiere; or, True to the Corps! (1867)
- An Old Score (1869)
- The Palace of Truth (1870-71)
- Gilbert's Contributions to London Characters (1871)
- The Wicked World
- Utopia Limited; or, The Flowers of Progress (1893)
- The Grand Duke; or, The Statutory Duel (1896)
- The Mountebanks (1892)
- Haste to the Wedding (1892)
Trial By Jury (1875)
The Sorcerer (1877)
H.M.S. Pinafore; or, The Lass That Loved A Sailor (1878)
The Pirates of Penzance (1879)
Patience (1881)
Iolanthe; or, The Peer and the Peri (1882)
Princess Ida (1884)
The Mikado (1885)
Ruddigore; or, The Witch's Curse (1887)
The Yeomen of the Guard (1888)
The Gondoliers (1889)
Contributions to Fun humor magazine
Burlesque Plays
Miscellaneous Plays From before and during the Savoy Period
Fairy Plays
Post-Savoy
30 June 2012