Mr. and Mrs. Bayham Badger
Sol Eytinge, Jr.
1867
Wood-engraving
10 x 7.4 cm (framed)
Dickens's Bleak House (Diamond Edition), facing VI, 99.
[Click on image to enlarge it.]
Scanned image and text by Philip V. Allingham.
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Mr. and Mrs. Bayham Badger
Sol Eytinge, Jr.
1867
Wood-engraving
10 x 7.4 cm (framed)
Dickens's Bleak House (Diamond Edition), facing VI, 99.
[Click on image to enlarge it.]
Scanned image and text by Philip V. Allingham.
[You may use these images without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image, and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
While we were making this round of gaieties, in which Mr. Guppy so extraordinarily participated, the business which had helped to bring us to town was not neglected. Mr. Kenge's cousin was a Mr. Bayham Badger, who had a good practice at Chelsea and attended a large public institution besides. He was quite willing to receive Richard into his house and to superintend his studies, and as it seemed that those could be pursued advantageously under Mr. Badger's roof, and Mr. Badger liked Richard, and as Richard said he liked Mr. Badger "well enough," an agreement was made, the Lord Chancellor's consent was obtained, and it was all settled.
On the day when matters were concluded between Richard and Mr. Badger, we were all under engagement to dine at Mr. Badger's house. We were to be "merely a family party," Mrs. Badger's note said; and we found no lady there but Mrs. Badger herself. She was surrounded in the drawing-room by various objects, indicative of her painting a little, playing the piano a little, playing the guitar a little, playing the harp a little, singing a little, working a little, reading a little, writing poetry a little, and botanizing a little. She was a lady of about fifty, I should think, youthfully dressed, and of a very fine complexion. If I add to the little list of her accomplishments that she rouged a little, I do not mean that there was any harm in it. [Chapter XIII, "Esther's Narrative," 98-99]
Eytinge conveys fairly accurately the charming society physician Richard Bayham Badger of fashionable Chelsea. As Eytinge intimates, the physician to whom Richard Carstone is briefly articled, has one overriding obsession: his wife, Laura. One has little sense of her accomplishments or history in this dual character study as she at fifty is already the widow of two remarkable husbands: a Royal Navy captain, Swooner, and a Professor of Botany, Dr. Dingo.
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_______. Bleak House. Illustrated by F. O. C. Darley and John Gilbert. The Works of Charles Dickens. The Household Edition. New York: Sheldon and Company, 1863. Vols. 1-4.
_______. Bleak House. Illustrated by Sol Eytinge, Jr, and engraved by A. V. S. Anthony. 14 vols. Boston: Ticknor & Fields, 1867. VI.
_______. Bleak House, with 61 illustrations by Fred Barnard. Household Edition, volume IV. London: Chapman and Hall, 1873.
_______. Bleak House. Illustrated by Harry Furniss. The Charles Dickens Library Edition. 18 vols. London: Educational Book, 1910. Vol. XI.
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Lester, Valerie Browne. Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004.
Steig, Michael. Chapter 6. "Bleak House and Little Dorrit: Iconography of Darkness." Dickens and Phiz. Bloomington & London: Indiana U. P., 1978. 131-172.
Vann, J. Don. "Bleak House, twenty parts in nineteen monthly instalments, October 1846—April 1848." Victorian Novels in Serial. New York: The Modern Language Association, 1985. 69-70./
Last modified 19 February 2021