Mr. Turveydrop and his Son
Sol Eytinge, Jr.
1867
Wood-engraving
10 x 7.4 cm (framed)
Dickens's Bleak House (Diamond Edition), facing VI, 110.
[Click on image to enlarge it.]
Scanned image and text by Philip V. Allingham.
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Passage Illustrated: The Superannuated Regency Buck and his Musical Son
"The airs the fellow gives himself!" said my informant, shaking her head at old Mr. Turveydrop with speechless indignation as he drew on his tight gloves, of course unconscious of the homage she was rendering. "He fully believes he is one of the aristocracy! And he is so condescending to the son he so egregiously deludes that you might suppose him the most virtuous of parents. Oh!" said the old lady, apostrophizing him with infinite vehemence. "I could bite you!"
I could not help being amused, though I heard the old lady out with feelings of real concern. It was difficult to doubt her with the father and son before me. What I might have thought of them without the old lady's account, or what I might have thought of the old lady's account without them, I cannot say. There was a fitness of things in the whole that carried conviction with it.
My eyes were yet wandering, from young Mr. Turveydrop working so hard, to old Mr. Turveydrop deporting himself so beautifully, when the latter came ambling up to me and entered into conversation.
He asked me, first of all, whether I conferred a charm and a distinction on London by residing in it? I did not think it necessary to reply that I was perfectly aware I should not do that, in any case, but merely told him where I did reside.
"A lady so graceful and accomplished," he said, kissing his right glove and afterwards extending it towards the pupils, "will look leniently on the deficiencies here. We do our best to polish — polish — polish!" [Chapter XIV, "Deportment," 110]
Commentary
Eytinge conveys fairly accurately the diligent and plodding nature of Prince Turveydrop, musician and dancing master, and his father, a showpiece Regency manners and deportment, the elegant but indolent Mr. Turveydrop.
The Regency revenant and his bland son have been the subject of every illustrator from the original Phiz serial illustrations of 1852-53 to the Charles Dickens Library Edition of 1910. The superannuated Regency buck who has modelled himself on the First Gentleman of Europe, the Prince Regent (afterwards, King George IV), demonstrates like his model the triumph of style over substance. The indolent senior Turveydrop had lived on his wife's exertions until she died from overwork, whereupon he took up sponging off his son, the musician and dancing-master whom he christened "Prince" in deference to his model of deportment and fashion. Like his mother, Prince maintains his father in comfort and style by over-working himself in running the Newman Street Dancing Academy. The job of the illustrator is challenging since Turveydrop must look elegant, but must reveal himself to be egotistical, exploitative — and near-sighted. The characteristic posture is therefore looking down and upon his own accoutrements rather than at others, as in the Furniss treatment The Turveydrops, Senior and Junior (1910).
The later illustrators such as Harry Furniss and Sol Eytinge, Junior, have followed Phiz's practice of exaggerating the physical bulk of Mr. Tturveydrop to suggest his massive egotism. However, whereas Phiz has contextualized the dominating figure of the master of deportment in The Dancing School (June 1852) and A model of parental deportment (October 1852), but Eytinge merely juxtaposes the slight son with the super-sized father without depicting the activities of the dancing academy in the background.
Other Illustrations of The Turveydrops, 1852-1910
Left: The Kyd wartercolour study of the Regency Master of Deportment fior Player's Cigarette Card No. 47, Mr. Turveydrop (1910). Centre: Fred Barnard's 1873 Household Edition illustration of the elegant but over-stuffed Regency remnant and his slight son: Deportment. Harry Furniss's lithograph of the Regency Master of Deportment and his musical son for the Charles Dickens Library Edition: The Turveydrops, Senior and Junior (1910).
Phiz's original; serial illustration of the school of deportment in full swing: The Dancing School (July 1852).
Related material, including front matter and sketches, by other illustrators for Bleak House (1852-1910)
- Bleak House (homepage)
- Phiz's monthly illustrations for the novel, March 1852 through September 1853.
- Cover for monthly parts
- John Gilbert: A large
grey cat leaped from some neighbouring shelf from
- F. O. C. Darley: A female
figure, closely veiled, stands in the middle of the room . . . . from
- F. O. C. Darley: "For, on a low bed opposite the fire. . . the lawyer hesitating just within the doorway, sees a man." — Vol. 1, Page 96 [actually, p. 200, from Bleak House] Vol. 3
- F. O. C. Darley: Springing a Mine, from Bleak House, Sheldon & Co. (New York) Household Edition (1863) Vol. 4
- The Diamond Edition of Charles Dickens’s Works
- Fred Barnard's 61 Illustrations for the Household Edition (1873)
- Harry Furniss's illustrations for the Charles Dickens Library Edition (1910)
- Kyd's four Player's Cigarette Cards (1910)
Bibliography
Bentley, Nicolas, Michael Slater, and Nina Burgis. The Dickens Index. New York and Oxford: Oxford U. P., 1990.
Dickens, Charles. Bleak House. Illustrated by Hablot Knight Browne. London: Bradbury and Evans, 1853.
_______. Bleak House. Illustrated by F. O. C. Darley and John Gilbert. The Works of Charles Dickens. The Household Edition. New York: Sheldon and Company, 1863. Vols. 1-4.
_______. Bleak House. Illustrated by Sol Eytinge, Jr, and engraved by A. V. S. Anthony. 14 vols. Boston: Ticknor & Fields, 1867. VI.
_______. Bleak House, with 61 illustrations by Fred Barnard. Household Edition, volume IV. London: Chapman and Hall, 1873.
_______. Bleak House. Illustrated by Harry Furniss. The Charles Dickens Library Edition. 18 vols. London: Educational Book, 1910. Vol. XI.
Hammerton, J. A. "Ch. XVIII. Bleak House." The Dickens Picture-Book. London: Educational Book Co., [1910], 294-338.
Lester, Valerie Browne. Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004.
Steig, Michael. Chapter 6. "Bleak House and Little Dorrit: Iconography of Darkness." Dickens and Phiz. Bloomington & London: Indiana U. P., 1978. 131-172.
Vann, J. Don. "Bleak House, twenty parts in nineteen monthly instalments, October 1846—April 1848." Victorian Novels in Serial. New York: The Modern Language Association, 1985. 69-70./
Last modified 2 March 2021