4.94 McCracken, Donal P. ‘You Will Dye at Midnight’: Threatening Letters on Victorian Ireland. Dublin: Eastwood Books, 2021. [Review in the Victorian Web, December 2021].
4.93 “‘Power Bought at a Terrible Price”: Jeremy Paxman’s Black Gold and Elizabeth Carolyn Miller’s’s Extraction Technologies and the Literature of the Long Exhaustion. [Review in the Victorian Web, November 2021]
4.92 “Scorn for the humanitarian spirit” — a Review of Christopher Herbert’s Evangelical Gothic: The English Novel and the War on Virtue from Wesley to Dracula. [Review in the Victorian Web, December 2019]
4.91 [A review of] York Art Gallery’s Ruskin, Turner & the Storm Cloud [Review in the Victorian Web, July 2019]
4.80 [“Chained: A Victorian Nightmare — Thirty Minutes into the Future?” [Review in the Victorian Web, March 2019]
4.89 [“Questions Hidden in Plain Sight, a review of Empresses of China’s Forbidden City at the Peabody Essex Museum, Salem, Massachusetts” [Review in the Victorian Web, December 2018]
4.86 “The Flesh Always Wins over the Spirit”: A Review of Richard Reeve’s The Sexual Imperative in the Novels of Sir Henry Rider Haggard. [Review in the Victorian Web]
4.85 Stewart Dippel and Jeffrey F. Champlin’s Redeemed at Countless Cost: The Recovery of Iconographic Theology and Religious Experience from 1850 to 2000. New York: Peter Lang, 2017. [Review in the Victorian Web]
4.84. Marylin Palmer and Ian West’s Technology and the Country House. Swindon: Historic England, 2016 [Review in the Victorian Web]
4.83. Devon Cox's The Street of Wonderful Possibilities: Whistler, Wilde, and Sargent in Tite Street [Review in the Victorian Web]
4.82. Conceptual Art in Britain, 1964-1979 at Tate Britain, 12 April-29 August 2016 [Review in the Victorian Web]
4.81. Bejewelled Treasures at the Victoria & Albert Museum — A review of another exhibition drawn from the Al Thani Collection [Review in the Victorian Web]
4.80. The Botticelli Renaissance in Berlin and Botticelli Reimagined in London [Review in the Victorian Web]
4.79. Treasures from India: Jewels from the Al-Thani Collection, the Metropolitan Museum of Art, October 28, 2014 — January 25, 2015 [Review in the Victorian Web]
4.78. The Art of Mourning, the Museum of Morbid Anatomy, 2014-2015 [Review in the Victorian Web]
4.77. Death Becomes Her: A Century of Mourning Attire, the Metropolitan Museum of Art, October 21, 2014–February 1, 2015 [Review in the Victorian Web]
4.76. The Metropolitan Museum of Art's “Making Pottery Art: The Robert A. Ellison Jr Collection of French Ceramics (c. 1880-1910)” [Review in the Victorian Web]
4.75. Nigel Daly's The Lost Pre-Raphaelite: The Secret Life and Loves of Robert Bateman. [Review in the Victorian Web]
4.74. James Hamilton’s A Strange Business: Making Art and Money in Nineteenth-Century Great Britain. [Review in the Victorian Web]
4.73. “Not helping the cause: a review of Kanwit's Victorian Art Criticism and the Woman Writer.” [Review in the Victorian Web]
4.72. “Amazing objects: A review of Sculpture Victorious: Art in the Age of Invention, 1837-1901.” [Review in the Victorian Web]
4.71. Gustave Doré: Master of Imagination, exhibition at the National Gallery of Canada [Exhibition review in the Victorian Web]
4.70. Terry Deary's Dangerous Days on the Victorian Railways: A history of the terrors and the torments, the dirt, diseases and deaths suffered by our ancestors. [Review in the Victorian Web]
4.69. Charles LaPorte’s The Victorian Poets and the Changing Bible [Review in the Victorian Web]
4.68. Timothy Larsen’s A People of One Book: The Bible and the Victorians. Oxford [Review in the Victorian Web]
4.67. Keith A. Jenkins’s Charlotte Brontë’s Atypical Typology. [Review in the Victorian Web]
4.66. The Metropolitan Museum of Art's “The Passions of Jean-Baptiste Carpeaux” [Exhibition review in the Victorian Web]
4.65. Robert Brownell’s Marriage of Inconvenience. [Review in the Victorian Web]
4.64. “ The Invisible Woman becomes very visible — a film about Charles Dickens and Nelly Ternan” [Review in the Victorian Web]
4.63. Christopher Newall's John Ruskin Artist and Observer [Exhibition review in the Victorian Web]
4.62. Laura Euler's The Glasgow Style. Atglen, Pennsylvania: Schiffer, 2008. [Review in the Victorian Web]
4.61. “Populist Scholarship and Cultural Interpretation: International Steampunk Fashions.” Atglen, Pennsylvania: Schiffer Publishing, 2012. [Review in the Victorian Web]
4.60. “ Beauties in Bell Jars: A Review of John Whitenight's Under Glass: A Victorian Obsession.” Review in the Victorian Web].
4.59. Michael Forrest's Art Bronzes Review in the Victorian Web].
4.58. Claire Tomalin's Invisible Woman after two decades. Review in the Victorian Web].
4.57. Keith A. Jenkins's Charlotte Brontë's Atypical Typology. New York: Peter Lang, 2010 Victorian Studies (Autumn 2013): 155-57. [Review appeared in 2014]
4.56. Charles LaPorte's The Victorian Poets and the Changing Bible. Charlottesville and London: University of Virginia Press, 2011; and Timothy Larsen's A People of One Book: The Bible and the Victorians. Oxford: Oxford University Press, 2011. Modern Philology, forthcoming as of July 2012.
4.55. Philip K. Cohen's John Evelyn Barlas, A Critical Biography: Poetry, Anarchism, and Mental Illness in Late-Victorian Britain. Rivendale Press, 2012. [review in the Victorian Web].
4.54. "A little too thin: A Review of Sara Atwood’s Ruskin’s Educational Ideals" [review in the Victorian Web].
4.53. Peter W. Sinnema's The Wake of Wellington: Englishness in 1852. Athens: Ohio University Press, 2006. text of review by GPL]
4.52. Michelle Allen's Cleansing the City: Sanitary Geographers in Victorian London. Athens, Ohio: Ohio University Press, 2008 [text of review by GPL]
4.51. Michael Cox's The Glass of Time: The Secret Life of Miss Esperanza Gorst Narrated by Herself. New York: W. W. Norton, 2008 [text of review by GPL]
4.50. Philip Holden's Autobiography and Decolonization: Modernity, Masculinity, and the Nation-State. Madison, U of Wisconsin Press, 2008. [text of review]
4.49. Colquhoun, Kate. "The Busiest Man in England:" A Life of Joseph Paxton, Gardener, Architect, and Visionary. Boston: David R. Godine, 2006 [text of review].
4.48. An Excellent Introduction to the PRB: A Review of Tim Barringer's Reading the Pre-Raphaelites. New Haven: Yale UP, 1999. [text of review]
4.48. Simon Toll's Herbert Draper, 1863-1920: A Life Study. Woodbridge, England: Antique Collector's Club, 2003. [text of review]
4.47. John A. Walker's "Work": Ford Madox Brown's Painting and Victorian Life. London: Francis Boutle, 2006. [text of review]
4.46. "Were Tennyson and Hallam Gay, and Did They Have a Physically Consummated Homosexual Relationship? — A Review of Alfred and Arthur: An Historic Friendship." Hertford, U.K.: Authors OnLine, 2001. [text of review] 2005.
4.45. Vincent Mosco's The Digital Sublime: Myth, Power, and Cyberspace. Cambridge: MIT Press, 2004. Tekka, June 2004.
4.44.Joseph Bizup's Manufacturing Culture: Vindications of Early Victorian Industry. Charlottesville: U. of Virginia Press, 2003 [Text of review].
4.43. Fyfe, Aileen. Science and Salvation: Evangelical Popular Science Publishing in Victorian Britain. Chicago: University of Chicago, 2003 [Text of review].
4.42. Lauren M. E. Goodlad's Victorian Literature and the Victorian State: Character and Governance in a Liberal Society. [text of review]
4.41. William J. Mitchell's Me++: The Cyborg Self and the Networked City. Tekka, May 2004.
4.40. Jay David Bolter and Diane Gromola's Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. Tekka, April 2004.
4.39 Richard D. Altick's A Little Bit of Luck: The Making of an Adventurous Scholar." Victorian Web, April 2002. [text of review]
4.38 "Essays and Reviews: The 1860 Text and Its Readings. Edited by Victor Shea and William Whitla. Albion. 34 (2002): 145-47.
4.37 "Tim Hilton's John Ruskin: The Later Years. Albion. Summer (2001): 331-34. [text of review]
4.36 "Dale H. Porter's The Thames Embankment: Environment, Technology, and Society in Victorian London. Victorian Web, October 1998. [text of review]
4.35 "Richard Lanham's The Electronic Word: Democracy, Technology, and the Arts." Journal of Computational Linguistics. (1995).
4.34 "James Nyce and Paul Kahn's From Memex to Hypertext: Vannevar Bush and the Mind's Machine." Journal of Computing in Higher Education3 1992): 121-125. [text of review]
4.33 "Jay David Bolter's Writing Space: The Computer, Hypertext, and the History of Writing." Journal of Computing in Higher Education 3 (1992): [text of review]
4.32 "Ben Shneiderman and Greg Kearsley's Hypertext Hands On! An Introduction to a New Way of Organizing and Accessing Information" Journal of Computing in Higher Education 2 (Spring 1991): 114-117.
4.31 "J. Mordaunt Crook's The Dilemma of Style: Architectural Ideas from the Picturesque to the Post Modern." American Historical Review (October 1990): 1181-62.
4.30 "Hilary Fraser's Beauty and Belief: Aesthetics and Religion in Victorian Literature and Max F. Schulz's Paradise Preserved: Recreations of Eden in Eighteenth- and Nineteenth-Century England, "Victorian Studies, 31 (1988): 276-78.
4.29 "A. Dwight Culler's The Victorian Mirror of History, " Modern Philology 85 (1988): 339-41.
4.28 "Norman Kelvin's edition of The Collected Letters of William Morris, " Journal of English and Germanic Philology, 86 (1987): 456-57.
4.27 "Alan Crawford's C. R. Ashbee: Architect, Designer & Romantic Socialist, " American Historical Review (April 1987): 418-19.
4.26 "Mark Girouard's The Return to Camelot: Chivalry and the English Gentleman, " American Historical Review, (October 1982): 1096-97.
4.25 "Frank M. Turner's The Greek Heritage in Victorian Britain." American Historical Review, (March 1982): 175-76.
4.24 "G. B. Tennyson's Victorian Devotional Poetry: The Tractarian Mode." English Language Notes, 20 (1982): 84-86.
4.23 "Albert Boime's Thomas Couture and the Art of Eclecticism." Journal of Pre-Raphaelite Studies, 2 (1982): 123-25.
4.22 "June Steffensen Hagen's Tennyson and His Publishers." Analytical and Enumerative Bibliography, 5 (1981): 69-71.
4.21 "Max E. Mitzman's George E. Baxter and the Baxter Prints, " Journal of Pre-Raphaelite Studies, 1 (May 1981): 132-34.
4.20 "Frederick Kirchhoff's William Morris." Journal of Pre-Raphaelite Studies, 1 (May 1981): 130-32.
4.19 "Images of Romanticism: Visual and Verbal Affinities, " eds. Karl Kroeber and William Walling. Journal of English and Germanic Philology, 79 (1980): 574-78.
4.18 "Patrick Conner's Savage Ruskin." American Historical Review, (1980): 630-31. [review in the Victorian Web]
4.17 "Carol T. Christ's The Finer Optic: The Aesthetic of Particularity in Victorian Poetry." English Language Notes, 16 (1979): 344-47.
4.16 "Carlyle and His Contemporaries, ed. John Clubbe." The Wordsworth Circle, 9 (1978): 306-11.
4.15 "Richard L. Stein's The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and Pater." Modern Language Quarterly, 38 (1977): 207-10.
4.14 "Raymond Lister's edition of The Letters of Samuel Palmer and James Sellar's Samuel Palmer." Victorian Studies, 20 (1976): 79-81. [review]
4.13 "Lionel Stevenson's The Pre-Raphaelite Poets." Victorian Poetry, 12 (1974): 79-85.
4.12 "Paul H. Walton's The Drawing's of John Ruskin." Journal of English and Germanic Philology, 73 (1974): 162-64. [review in the Victorian Web]
4.11 "Harold I. Shapiro's Ruskin's Letters from Italy." Journal of English and Germanic Philology, 73 (1974): 264-66.
4.10 "Van Akin Burd's The Ruskin Family Letters and Mary Lutyens's The Ruskins and the Grays." Journal of English and Germanic Philology, 73 (1974): 135-38. [review in the Victorian Web]
4.9 "Editing Victorians. Edward Bulwer-Lytton's Pelham, " ed. J. J. McGann and W. M. Thackeray's A Shabby Genteel Story." Novel, 7 (1974): 269-71.
4.7 "Jerome J. McGann's Swinburne: an Experiment in Criticism." Journal of Aesthetics and Art Criticism, 32 (1973): 307-09.
4.8 "James Clarke Sherburne's John Ruskin or the Ambiguities of Abundance: A Study in Social and Economic Criticism." Victorian Studies, 17 (1973): 228-30. [review in the Victorian Web]
4.6 "R. R. Howard's The Dark Glass: Vision and Technique in the Poetry of Dante Gabriel Rossetti and Robert M. Cooper's Lost on Both Sides: Dante Gabriel Rossetti: Critic and Poet." Journal of Aesthetics and Art Criticism, 31 (1973): 422-23.
4.5 "Alice B. Chandler's A Dream of Order: The Medieval Ideal in Nineteenth-Century British Literature." Modern Philology, 70 (1973): 366-69.
4.4 "Helen Gill Viljoen's edition of The Brantwood Diaries of John Ruskin." Journal of English and Germanic Philology, 71 (1972): 277-80. [review in the Victorian Web]
4.3 "Guinevere L. Griest's Mudie's Circulating Library and the Victorian Novel." Modern Philology, 69 (1972): 367-69.
4.2 "Van Akin Burd's edition of The Winnington Letters: John Ruskin's Correspondence with Margaret Alexis Bell and the Children at Winnington Hall." Journal of English and Germanic Philology, 70 (1971): 324-26.
4.1 "Roger Stein's Ruskin and Aesthetic Thought in America." Journal of English and Germanic Philology, 68 (1969): 305-10. [review in the Victorian Web]
Last modified 11 April 2020