The Title-Page Vignette
Charles Green
1876
7.5 x 5.9 cm, vignetted
Dickens's The Old Curiosity Shop, The Household Edition, XII, 1.
[Click on the images to enlarge them.]
Scanned image and text by Philip V. Allingham.
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The Title-Page Vignette
Charles Green
1876
7.5 x 5.9 cm, vignetted
Dickens's The Old Curiosity Shop, The Household Edition, XII, 1.
[Click on the images to enlarge them.]
Scanned image and text by Philip V. Allingham.
[You may use these images without prior permission for any scholarly or educational purpose as long as you (1) credit the photographer and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
The place through which he made his way at leisure was one of those receptacles for old and curious things which seem to crouch in odd corners of this town and to hide their musty treasures from the public eye in jealousy and distrust. There were suits of mail standing like ghosts in armour here and there, fantastic carvings brought from monkish cloisters, rusty weapons of various kinds, distorted figures in china and wood and iron and ivory: tapestry and strange furniture that might have been designed in dreams. The haggard aspect of the little old man was wonderfully suited to the place; he might have groped among old churches and tombs and deserted houses and gathered all the spoils with his own hands. There was nothing in the whole collection but was in keeping with himself nothing that looked older or more worn than he. [Chapter One, page 3]
Green has departed from the caricatural style of the original serial's illustrations by George Cattermole and the other members of the team of illustrators whom Dickens described as "The Clock Works." The effects for which Green strives in his program of thirty-nine wood-engravings veer sharply away from the antiquarian and cartoonish styles of Samuel Williams, Daniel Maclise, Phiz, and Cattermole, and towards the new realism of the 1860s. Moreover, the dark plates of John Franklin in Ainsworth's Old St. Paul's (1841) and Hablot Knight Browne in Mervyn Clitheroe have influenced Green, particularly in the frontispiece and tailpiece, which reiterates the perversion and cruelty of the Brasses.
The title-page vignette cleverly echoes the collection of antiques on the dresser in the right-hand section of the frontispiece, but does not exactly repeat the firearms, powder-horn, Greek vase, and sixteenth-century helmet (which is on the floor in The door being opened, the child addressed him as her grandfather on the page facing the title-page). Although Green apparently establishes in the importance of the Old Curiosity Shop as the principal setting of the first movement of the novel in the initial illustrations, this atmospheric interior only appears twice more as the illustrator focusses instead on the figures of Dick Swiveller, the Marchioness, and the villainous dwarf, Daniel Quilp.
The style of the leading member of the team of illustrators, George Cattermole, was ideally to the subject of the quaint interior of the London antique shop that gives the Dickens's fourth novel its title, The door being opened, the child addressed the old man as her grandfather, and told him the little story of our companionship.
Davis, Paul. Charles Dickens A to Z: The Essential Reference to His Life and Work. New York: Facts On File, 1998.
Dickens, Charles. The Old Curiosity Shop. Illustrated by Hablot Knight Browne ("Phiz"). London: Chapman and Hall, 1841. Rpt., 1900 in The Authentic Edition.
_____. The Old Curiosity Shop. Illustrated by Thomas Worth. The Household Edition. New York: Harper and Brothers, 1872. VI.
_____. The Old Curiosity Shop. Illustrated by Charles Green. The Household Edition. London: Chapman and Hall, 1876. XII.
_____. The Dickens Souvenir Book. Illustrated by Fred Barnard and Others. London: Chapman and Hall, 1912.
_____. The Old Curiosity Shop. Illustrated by Harry Furniss. The Charles Dickens Library Edition. 18 viols. London: Educational Book, 1910. V.
Kitton, Frederic George. "Phiz" (Hablot Knight Browne), a Memoir, Including a Selection From His Correspondence and Notes on His Principal Works. London, George Redway, 1882.
Lester, Valerie Browne. Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004.
Matz, B. W., and Kate Perugini. Character Sketches from Dickens. Illustrated by Harold Copping. London: Raphael Tuck, 1924.
Steig, Michael. Dickens and Phiz. Bloomington & London: Indiana U. P., 1978.
Last modified 14 December 2019