In anticipation of Dickens's long-awaited 1867-68 reading tour, which had been postponed by the American Civil War, the Boston publisher James T. Fields had commissioned from Eytinge ninety-six designs for wood-engravings to grace the pages of the exhaustive, fourteen-volume Diamond Edition of Dickens's works, each volume being of compact dimensions with very fine but sharp type. This seventh volume, however, antedates that momentous visit to American shores. On the verso of the title-page is the statement that James T. Fields, the author's friend and confidant, so valued since it authorized his firm as Dickens's sole representatives in the United States for volume publication:
Gad's Hill Place, Higham by Rochester, Kent, Second April, 1867. By a special arrangement made with me and my English Publishers (partners with me in the copyright of my works), MESSRS. TICKNOR AND FIELDS, of Boston, have become the only authorized representatives in America of the whole series of my books. CHARLES DICKENS.
William Winter in his autobiography recalls that Sol Eytinge, Jr.'s illustrations for Dickens's works "gained the emphatic approval of the novelist" (318), although of course the pair did not actively collaborate on this series, as did Hablot Knight Browne and Dickens had done for so many of the full-scale novels in twenty monthly parts, concluding with the illustrations for the Chapman and Hall A Tale of Two Cities in 1859. The limited Fred Walker narrative-pictorial sequence for the 1868 Library Edition of Hard Times reveals genuine insights into a novel never before illustrated, particularly the study of Mr. Harthouse and Tom Bounderby [sic] in the Garden. Nevertheless, as one regards this series of six individual and group character studies for Hard Times (1867) and appreciates them as exemplars of the new realism of the the sixties' manner of book and magazine illustration, one is tempted to agree with Winter that "[t]he most appropriate pictures that have been made for illustration of the novels of Dickens, — pictures that are truly representative and free from the element of caricature, — are those made by Eytinge" (317-18).
- Thomas Gradgrind [Hard Times]
- The Horse-Riding Party
- Mr. Bounderby and Mrs. Sparsit
- Stephen and Rachael
- Mr. Harthouse and Tom
- Mrs. Bounderby and Sissy
- Title-page for the "Diamond Edition" of Barnaby Rudge and Hard Times (1867).
Other Significant Illustrated Editions (1868-1910)
- Fred Walker's Library Edition Wood-engravings for Hard Times (1868)
- Harry French's Household Edition Wood-engravings for Hard Times (1877)
- C. S. Rinehart's Household Edition Wood-engravings for Harper & B ros. Hard Times (1876)
- Harry Furniss's Charles Dickens Library Edition lithograph for Hard Times (1910)
Scanned images and text by Philip V. Allingham. [You may use the images without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned them and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
Bibliography
Dickens, Charles. Barnaby Rudge and Hard Times. Illustrated by Sol Eytinge, Jr. The Diamond Edition. 14 vols. Boston: Ticknor & Fields, 1867. Vol. IX.
Dickens, Charles. Hard Times and Pictures from Italy. Illustrated by Fred Walker. London: Chapman and Hall, 1868.
Kitton, Frederic George. Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes. Amsterdam: S. Emmering, 1972. Re-print of the London 1899 edition.
Schlicke, Paul, ed. The Oxford Reader's Companion to Dickens. Oxford and New York: Oxford U. P., 1999.
Winter, William. "Charles Dickens" and "Sol Eytinge." Old Friends: Being Literary Recollections of Other Days. New York: Moffat, Yard, & Co., 1909. Pp. 181-202, 317-319.
Last modified 16 December 2024