[Victorian Web Home —> Illustration —> George Cruikshank —> Robinson Crusoe —> Next]
Crusoe, his wife and child on their farm in Bedfordshire
George Cruikshank
1831
Wood-engraving
5.4 cm high by 5.4 cm wide, vignetted
Headpiece for the second half of Daniel Defoe's Life and Surprising Adventures of Robinson Crusoe, top of page 291.
[Click on image to enlarge it.]
Scanned image and text by Philip V. Allingham.
[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
I bought a little farm in the county of Bedford, and resolved to remove myself thither. I had a little convenient house upon it, and the land about it, I found, was capable of great improvement; and it was many ways suited to my inclination, which delighted in cultivating, managing, planting, and improving of land; and particularly, being an inland country, I was removed from conversing among sailors and things relating to the remote parts of the world.
In a word, I went down to my farm, settled my family, bought ploughs, harrows, a cart, waggon, horses, cows, and sheep, and, setting seriously to work, became in one half-year a mere country gentleman. My thoughts were entirely taken up in managing my servants, cultivating the ground, enclosing, planting, &c.; and I lived, as I thought, the most agreeable life that nature was capable of directing, or that a man always bred to misfortunes was capable of being retreatedto.
I farmed upon my own land; I had no rent to pay, was limited by no articles; I could pull up or cut down as I pleased; what I planted was for myself, and what I improved was for my family; and having thus left off the thoughts of wandering, I had not the least discomfort in any part of life as to this world. Now I thought, indeed, that I enjoyed the middle state of life which my father so earnestly recommended to me, and lived a kind of heavenly life, something like what is described by the poet, upon the subject of a country life: —
"Free from vices, free from care, Age has no pain, and youth no snare."
But in the middle of all this felicity, one blow from unseen Providence unhinged me at once; and not only made a breach upon me inevitable and incurable, but drove me, by its consequences, into a deep relapse of the wandering disposition, which, as I may say, being born in my very blood, soon recovered its hold of me; and, like the returns of a violent distemper, came on with an irresistible force upon me. This blow was the loss of my wife. [Farther Adventures, Chapter I, "Revisits the Island," pp. 295-296]
The idyllic family scene with 61-year-old gentleman-farmer Robinson Crusoe offers the reader no clue that the wife will shortly die, propelling the widower into another series of overseas experiences — "the whimsies of foreign adventures." The illustrator, having entirely invented this scene of domestic felicity, implies the lure of the sea in the boat with which the child is plying as his parents sit in the sun before their vine-surrounded front-door and the leaded paned window of their front parlour. The farm scene is otherwise static, with an unhitched wagon and out-buildings in the background — the only suggestion of activity is the foraging pigs.
Defoe, Daniel. The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, with introductory verses by Bernard Barton, and illustrated with numerous engravings from drawings by George Cruikshank expressly designed for this edition. 2 vols. London: Printed at the Shakespeare Press, by W. Nichol, for John Major, Fleet Street, 1831.
De Foe, Daniel. The Life and Adventures of Robinson Crusoe, Written by Himself. Illustrated by Gilbert, Cruikshank, and Brown. London: Darton and Hodge, 1867?].
Defoe, Daniel. The Life and Surprising Adventures of Robinson Crusoe of York, Mariner. (1831). Illustrated by George Cruikshank. Major's Edition. London: Chatto & Windus, 1890.
Patten, Robert L. "Phase 2: "'The Finest Things, Next to Rembrandt's,' 1720–1835." Chapter 20, "Thumbnail Designs." George Cruikshank's Life, Times, and Art, vol. 1: 1792-1835. Rutgers, NJ: Rutgers U. P., 1992; London: The Lutterworth Press, 1992. Pp. 325-339.
Last modified 22 February 2018