[RA = Exhibited at the Royal Academy annual exhibition; BI = exhibited at the British Institution]
Works illustrated on this site
- The Governess RA, 1851 (425)
- The Claim for Shelter [The Fugitive Royalists], RA 1862 (432)
- The Appointment/The Letter, 1861 (probably the painting entitled The Love Letter below)
- The Friend in Need , RA 1856 (511)
- Spending a Sou, 1858
- The Lion and the Mouse: Sweet Mercy is Nobility’s True Badge, RA 1865 (459 & 479)
- The Young Teacher, 1861
Works without illustration on this site
- A. Solomon, RA 1852 (1055)
- The Morning Call, BI 1852 (370)
- Evangeline, BI 1853 (383)
- A Curious Page on St. Valentine's Day, BI 1854 (205)
- The Story of Balaclava, RA 1855 (1360)
- Tis better to be lowly born, RA 1857 (27)
- Behind the Curtain, RA 1858 (1094)
- Love’s Labour Lost. RA 1859 (548)<
- The Arrest of a Deserter, RA 1861 (581)
- The Love Letter, 1861
- Good Night, RA 1863 (668)
- Harry Esmonde’s Welcome at Walcote, RA 1864 (502)
- Heloise, RA 1867 (150)
- Giovannina — Rome, RA 1864 (484)
- Helena and Hermia, RA 1867 (150)
- A Bit of Old London, RA 1903 (827)
Bibliography
The Blessed Damozel: Women and Children in Victorian Art. London: Christopher Wood Gallery, 1980. No. 5.
“From the Picture in the possession of the Publishers: The Claim for Shelter.” Art Journal (1859): 184-85. Hathi Trust Digital Library version of a copy in the University of Michigan Library. Web. 6 April 2014.
The Emergence of Jewish Artists in Nineteenth-Century Europe. Exhibition Catalogue. Ed. Susan Tumarkin Goodman. London: Merrell; New York: Jewish Museum, 2001.
Created 5 March 2016
Last modified 19 October 2021