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La Paysanne à Grez

La Paysanne à Grez

Arthur Melville ARSA RSW (1855–1904)

Oil on canvas, 21½ x 12½ inches; 54.6 x 31.7 cm.

Signed and dated 1880

Collection: Bourne Fine Art

Painting a French peasant in the open air was one of the basic challenges faced by art students of the 1880s. The American painter Will H. Low, one of the first artists to visit Grez-sur-Loing recalled the curiosity which he and his colleagues aroused amongst local inhabitants. ‘Jacques Bonhomme’ was fiercely independent and his curiosity concerning the young foreign invaders was not tempered with envy. The village of Grez was ‘discovered’ by artists in the summer of 1875 – even though Corot had painted there in the previous decade. Robert Louis Stevenson described famously as ‘pretty and very melancholy’ – a mood which lifted with the arrival of successive groups of students who spent as much time cavorting in the river as they did painting (see McConkey, 47-79). Two years later, Melville’s teacher, James Campbell Noble, painted there, and it is likely as a result of conversations with Noble that he made his first exploratory trip in 1878. He returned in the following year and was there in the early months of 1880 when the present picture was painted. [Continued below]

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Commentary by Kenneth McConkey

Melville’s Grez canvases are distinguished by their breadth of handling (see Gale, 15-200. This is particularly true of works such as Homeward, 1880 (City Art Centre, Edinburgh) in which a boldly blocked-in peasant woman observes her flock of geese or ducks returning to their pen at twilight. As a tone study, the contrast between this and the strong midday sunlight falling on the peasant woman in the present work, could not be greater. What is clear from both however, is the self-confident attack that brings even the most cursory strokes to life. Following his adventures in the Middle East, the dramatic effect of strong light and shade was to become Melville’s signature.

Provenance: J.S.R. Byers Esq., The Fine Art Society, 1973; Private Collection, Scotland

References

Gale, Iain. Arthur Melville. London: Atelier Books, 1996.

MacKay, Agnes Ethel. Arthur Melville, Scottish Impressionist, 1855–1904. London: F. Lewis Publishers, 1951.

McConkey, Kenneth. Lavery and the Glasgow Boys. Exhibition Catalogue. Clandeboye, County Down: The Ava Gallery; Edinburgh: Bourne Fine Art; London: The Fine Art Society, 2013. No. 3.



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Last modified 4 October 2011