Subject pictures
- Faces in the Fire (1867), Ashmolean Museum of Art and Archaeology
- The Lord Gave and the Lord Hath Taketh Away, Blessed Be the Name of the Lord. (1868), City of London Corporation
- No Tidings from the Sea (1870), Royal Collection Trust
- I am the Resurrection and the Life (The Village Funeral) (1872), Leeds City Art Gallery
- Seamstresses (1875), Royal Albert Memorial Museum, Exeter
- Her Firstborn, Horsham Churchyard (1876), The McManus, Dundee's Art Gallery and Museum
- Gone (1877), Geffrye Museum, London
- Newgate, Committed for Trial (1878), Royal Holloway, University of London
- Despair (1881), Southampton City Art Gallery
- Hope (1883), Southampton City Art Gallery
- Leaving Home
Portraits
- Self-Portrait (1863), National Portrait Gallery, London
- Self-Portrait (in middle age)
- Sir John Tenniel (1883), National Portrait Gallery, London
- Sir William Schwenck Gilbert (1886), National Portrait Gallery, London
- Sir William Jenner, M.D., K.C.B. (1888)
- Sir John Everett Millais, Bart., R.A.
- The Rt. Hon. John Bright (1887)
- Sir William Agnew, 1st Bt. (1883)
- Hush! (1877)
- Hushed (1877)
Bibliography
Bills, Mark. Frank Holl: Emerging from the Shadows. London: I. B. Tauris, 2013. [Review by George P. Landow]
Last modified 22 October 2014