[*** = en español. Traducción de Montserrat Martínez García revisada y editada por Asun López-Varela. El diseño HTML, el formato, y los enlaces de George P. Landow.]
- •••La comida y el hambre en Grandes esperanzas y la literatura victoriana
- Imagery in Great Expectations
- Fragmentation and Collision in Dickens's Works
- Cinematographic Imagery in Dickens's Great Expectations
- The Prodigal Motif in Great Expectations
- Character and Environment in Great Expectations
- Mechanism and Character in Great Expectations
- Fairy Tales and Religious Motifs in Great Expectations
- Pip's Commercial Vocabulary
- Food, Famine, and Desire
- Shadows of Things That Have Been and Will Be in Great Expectations
- he “Calligraphic Qualities" of the Tombstone in Great Expectations
- Seeing Double, Double Seeing: The Use of Doubles in Great Expectations
- Shades of Yellow: Representations of Change and Decay in Great Expectations
- What's in a name?
- Weather as Pathetic Fallacy and Foreshadowing in Great Expectations
- Animal imagery in Great Expectations
- Miss Havisham: Pip’s Sailing Vessel or Sinking Ship?
- Death as rebirth in Phantastes and Great Expectations
- Dickens and Swinburne’s Images of the Sea
- Ships: The Duality of Danger vs. Salvation
Modificado por última vez el 20 de mayo de 2010; traducido el 16 de febrero de 2012