Paul goes Home for the Holidays
Phiz (Hablot K. Browne)
Steel-engraving
5.5 inches high by 4.5 inches wide (14 cm high by 11.4 cm wide)
Dickens's Dombey and Son, Chapter XIV; facing 246.
Image scan and text by Philip V. Allingham.
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Paul goes Home for the Holidays
Phiz (Hablot K. Browne)
Steel-engraving
5.5 inches high by 4.5 inches wide (14 cm high by 11.4 cm wide)
Dickens's Dombey and Son, Chapter XIV; facing 246.
Image scan and text by Philip V. Allingham.
[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image, and (2) link your document to this URL in a web document or cite the Victorian Web in a print one. ]
A buzz then went round among the young gentlemen, of ‘Dombey’s going!" "Little Dombey’s going!" and there was a general move after Paul and Florence down the staircase and into the hall, in which the whole Blimber family were included. Such a circumstance, Mr. Feeder said aloud, as had never happened in the case of any former young gentleman within his experience; but it would be difficult to say if this were sober fact or custard-cups. The servants, with the butler at their head, had all an interest in seeing Little Dombey go; and even the weak-eyed young man, taking out his books and trunks to the coach that was to carry him and Florence to Mrs. Pipchin’s for the night, melted visibly.
Not even the influence of the softer passion on the young gentlemen — and they all, to a boy, doted on Florence — could restrain them from taking quite a noisy leave of Paul; waving hats after him, pressing downstairs to shake hands with him, crying individually ‘Dombey, don’t forget me!’ and indulging in many such ebullitions of feeling, uncommon among those young Chesterfields. Paul whispered Florence, as she wrapped him up before the door was opened, Did she hear them? Would she ever forget it? Was she glad to know it? And a lively delight was in his eyes as he spoke to her.
Once, for a last look, he turned and gazed upon the faces thus addressed to him, surprised to see how shining and how bright, and numerous they were, and how they were all piled and heaped up, as faces are at crowded theatres. They swam before him as he looked, like faces in an agitated glass; and next moment he was in the dark coach outside, holding close to Florence. From that time, whenever he thought of Doctor Blimber’s, it came back as he had seen it in this last view; and it never seemed to be a real place again, but always a dream, full of eyes.
This was not quite the last of Doctor Blimber’s, however. There was something else. There was Mr Toots. Who, unexpectedly letting down one of the coach-windows, and looking in, said, with a most egregious chuckle, ‘Is Dombey there?’ and immediately put it up again, without waiting for an answer. Nor was this quite the last of Mr Toots, even; for before the coachman could drive off, he as suddenly let down the other window, and looking in with a precisely similar chuckle, said in a precisely similar tone of voice, "Is Dombey there?" and disappeared precisely as before.
How Florence laughed! Paul often remembered it, and laughed himself whenever he did so. [Chapter XIV, "Paul grows more and more Old-fashioned, and goes Home for the Holidays," 246-47]
Left: Fred Barnard's Household Edition illustration of the sane scene: The Breaking-up Party at Dr. Blimber's (1877). Right: Harry Furniss's version of Dr. Blimber's reception: Florence singing at Dr. Blimber's (1910)./p>
Dickens, Charles. Dombey and Son. With illustrations by H. K. Browne. The illustrated library Edition. 2 vols. London: Chapman and Hall, c. 1880.
__________. Dombey and Son. Illustrated by Hablot K. Browne ("Phiz"). 8 coloured plates. London and Edinburgh: Caxton and Ballantyne, Hanson, 1910.
__________. Dombey and Son. Illustrated by Hablot K. Browne ("Phiz"). The Clarendon Edition, ed. Alan Horsman. Oxford: Clarendon, 1974.
Hammerton, J. A. "Chapter 16: Dombey and Son."The Dickens Picture-Book. The Charles Dickens Library Edition. Illustrated by Harry Furniss. 18 vols. London: Educational Book Co., 1910. Vol. 17, 294-337.
Kitton, Frederic George. Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes. Amsterdam: S. Emmering, 1972. Re-print of the London (1899) edition.
Lester, Valerie Browne. Ch. 12, "Work, Work, Work." Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004. 128-160.
Steig, Michael. Chapter 4. "Dombey and Son: Iconography of Social and Sexual Satire." Dickens and Phiz. Bloomington & London: Indiana U. P., 1978. 86-112.
Vann, J. Don. Chapter 4. "Dombey and Son, twenty parts in nineteen monthly installments, October 1846-April 1848." Victorian Novels in Serial. New York: Modern Language Association, 1985. 67-68.
Created 8 August 2015
Last modified 30 January 2021