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"The rustle of a muslin dress hastily brushing through the trees," etc. — staff artist William Newman's sixth composite woodblock engraving for Charles Lever's A Day's Ride: A Life's Romance, instalment 5, published on 8 September 1860 in Harper's Weekly: A Journal of Civilization, Vol. IV, Chapter VI, "My Self-Examination," framed, top right, page 573. [Click on image to enlarge it.]

Passage Illustrated

Then came a low soft sound of half-suppressed laughter, and then the rustle of a muslin dress hastily brushing through the trees. I rushed out from my retreat, and hurried down the walk. No one to be seen, — not a soul; not a sound, either, to be heard.

“No use hiding, Mary,” I called out, “I saw you all the time; my mock confession was got up merely to amuse you. Come out boldly and laugh as long as you will.” No answer. This refusal amazed me. It was like a disbelief in my assertion. “Come, come!” I cried, “you can't pretend to think I was serious in all this vainglorious nonsense. Come, Mary, and let us enjoy the laugh at it together. If you don't, I shall be angry. I'll take it ill, — very ill.”

Still no reply. Could I, then, have been deceived? Was it a mere delusion? But no; I heard the low laugh, and the rustle of the dress, and the quick tread upon the gravel, too plainly for any mistake, and so I returned to the cottage in chagrin and ill-temper. As I passed the open windows of the little drawing-room I saw Mary seated at her work, with, as was her custom, an open book on a little table beside her. Absorbed as she was, she did not lift her head, nor notice my approach till I entered the room.

“You have no letter for me?” she cried, in a voice of sorrowful meaning. [Chapter VI, "My Self-Examination," 574; pages 45-46 in the Chapman and Hall edition]

Commentary: A Hint of Romance

Potts has been confiding in Edward and Mary Crofton about his misfortunes, and they in turn have confided in him about their rich uncle's disinheriting them as punishment for Edward's renouncing his army commission. The brother conveniently absents himself until dinner-time in order to check some night-lines at a nearby lake, giving Potts a chance to romance Mary in the summer house of the garden at The Rosary, Father Dyke's Cottage. But instead he self-communes, revealing his profound sense of inadequacy out loud, as if in court. The sound of suppressed laughter suggests that Mary has overheard this extended confession of inferiority.

Bibliography

Brown, Jane E., and Richard Samuel West. "William Newman (1817—1870): A Victorian Cartoonist in London and New York." American Periodicals, 17, 2: "Periodical Comics and Cartoons." (Ohio State University Press, 2007), 143-183. https://www.jstor.org/stable/20770984.

Lever, Charles. A Day's Ride: A Life's Romance. Harper's Weekly: A Journal of Civilization. Illustrated by William Newman. Vols. IV-V (13 April 1860 through 23 March 1861) in thirty-five weekly parts. Only a dozen of these weekly instalments were illustrated: p. 541 (one), 549 (two), 573, 589, 605, 621, 637, 649, 661, 678, 701, and 714.

_______. A Day's Ride; A Life's Romance. Illustrated by "Phiz" (Hablot Knight Browne). London: Chapman and Hall, 1863, rpt. Routledge, 1882.

_______. A Day's Ride: A Life's Romance. London: Chapman and Hall, 1873.

Lever, Charles James. A Day's Ride; A Life's Romance. http://www.gutenberg.org//files/32692/32692-h/32692-h.htm

Stevenson, Lionel. Dr. Quicksilver: The Life of Charles Lever. New York: Russell & Russell, 1939, rpt. 1969.

Sutherland, John. "Charles Lever." The Stanford Companion to Victorian Fiction. Stanford, Cal.: Stanford U. P., 1989. Pp. 372-374.

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Created 25 May 2022