According to the Mapping Sculpture site, Wyon “studied at the Royal Academy Schools from 1829. Among his commissions were works intended for reproduction” by Wedgwood and numerous portrait busts. He executed reliefs for Drapers' Hall, London (1866), and two caryatids for the Fitzwilliam Museum, Cambridge (1874).”
- Abundance or Autumn [?]
- Two nudes (perhaps symbolizing Spring and Summer)
- May Morning
- Chemistry or Medicine
- Io and Zeus metamorphosed into a Bull
- Technological Progress: Navigation, Medicine, Textiles, and Printing
- South America
- Religion (or Faith)
No images on this site
Bradley, Simon, and Nikolaus Pevsner. London 6: Westminster. “The Buildings of England.” New Haven and London: Yale University Press, 2003.
“Edward William Wyon.” Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951. University of Glasgow History of Art and HATII, online database 2011. Web. 29 August 2011.