Genre
- Kincaid on Trollope and the Tradition of Realism
- Kincaid on Trollope and the Comedy of Manners Tradition
- The Political Novel
- The Clerical Novel
- Trollope as Autobiographer
- Trollope on the novel as teacher of morals
- Kincaid on Rachel Ray as an explicitly nationalist, pastoral romantic comedy
- The Warden and Barchester Towers: The Pastoral DefinedThe Pastoral in Doctor Thorne and Framley Parsonage
- The Fall and Rise of the Pastoral: The Small House at Allington and The Last Chronicle of Barset
Mode
- Satire
- Trollope's Social Satire
- Comparing Trollope's Realism to that of Dickens and Thackeray
- Conservative Social Satire in Punch and The Way We Live Now
- Realism in Fiction
- Trollope on Realism in the Novel
- Realism, Myth, and the Historical Past in Aurora Leigh and The Warden
- The ways in which Barchester Towers reverses the traditional characteristics of comedy]
- Notions of Representation in Elizabeth Barrett Browning and Trollope
- Deborah Morse on Trollope as a reformer of genre
- Partly Told In Letters: Trollope's Story-telling Art
- Ayala's Angel and Imagery and Allusion drawn from Romances
- Lady Lufton's “ideal of life” in Framley Parsonage
Style
- Trollope on style
- Style: How Trollope's Narrator Creates Credibility
- Trollope's wisdom writing and his creation of ethos in Castle Richmond
- Kincaid on Miss Mackenzie as “a fable of rejuvenation and rebirth” in the vein of Dickens and Jane Austen
Last modified 25 September 2014