A Forsaken Garden

• Dead Roses, Dead Love: How Time Conquers All But Itself
• Absence in Swinburne's "A Forsaken Garden"
• Landscapes of Garden and Sea in Swinburne's "A Forsaken Garden"

Anactoria

• The Seismic Force of Metaphor in Swinburne's "Anactoria"
• Consuming Love: Sappho speaks in Swinburne's "Anactoria"
• Swinburne's "Anactoria": The Death of Love versus the Afterlife of Art
• Bitterness and Triumph in Swinburne's "Anactoria"
• "A Cameo" and "Anactoria"

Before a Crucifix

• Text of the poem (in the Victorian Web)
• Religion and Politics in “Before a Crucifix”
• Christ, Crucifixes, and the Church
• Conveying Conviction in “Before a Crucifix”
• Religion and the Masses
• Religion and Politics in "Before a Crucifix"
• The Corruption of Catholicism in Swinburne's "Before a Crucifix"
• Swinburne's Condemnation of Christianity in "Before a Crucifix"
• Swinburne's "Before a Crucifix"

By the North Sea

• “Changefully Changeless”: Movement in the Liminal State — a guide to “By the North Sea”
• Gendered Nature in Swinburne's "By the North Sea"
• "By the North Sea"
• Extreme Contradictions in Swinburne's "By the North Sea"
• "Waste endless and boundless:" A.C. Swinburne's "By The North Sea"
• Desolation and Destruction in Swinburne's "By the North Sea"
• Christianity: A Timeless Classic?
• The Sun of God

Dolores

• Sex Never Goes Out of Fashion
• Dolores: The Lady of Pain
• The Lady of Virtue Turned to Vice

Evening on the Broads

• A guide to the poem
• The Circular Landscape: Confronting Paradox and Imagery in Swinburne's "Evening on the Broads"
• The Evening as a Wave
• The Nothingness of Night
• Ease or Desperation in "Evening on the Broads" by A.C. Swinburne
• A Bleak World in Swinburne's "Evening on the Broads"
• "Evening on the Broads" — A Shadowless World?
• Cosmic Beachcombers in "Evening on the Broads"
• The View from Down Here

Hymn to Proserpine

• Time and Religion in Swinburne's "Hymn to Proserpine"
• Myth, Pattern, and Paradox in Swinburne's "Hymn to Prosperpine"
• Swinburne and the politics of "Hymn to Proserpine"
• Swinburne's "Hymn to Proserpine"
• "Hymn to Proserpine": The Rise of Christianity
• Juxtapositions of Christianity and paganism in Swinburne's "Hymn to Proserpine"
• Washing faith away in Swinburne's "Hymn to Proserpine"
• Christ, the Sea and Death

Laus Veneris

• The Devouring Woman in Swinburne's "Laus Veneris"
• The Eroticism of Leprosy and Romantic Obsession in A.C Swinburne's "Laus Veneris" and "The Leper"
• Laus Veneris: The Poem and the Painting
• Requited Love in "Laus Veneris": Is satisfaction possible?
• An Idol and God Overshadowed by Desire
• God vs. The Gods in the Poetry of Swinburne
• A Crisis of Faith and Identity in "Laus Veneris"
• Indulgent Introspection

The Triumph of Time

• Time, the Fates, and Lost Love in Swinburne's "The Triumph of Time"
• Wine, Bread, Body and Blood: How Swinburne Borrows Christian Imagery in "The Triumph of Time"
• The Rhythmic Patterns of Love and Loss in "The Triumph of Time"
• Swinburne's use of “twain” in the “The Triumph of Time”

Sonnets

• Swinburne's view of Russian Anti-Semitic Pogroms
• Invective as Gesture: Swinburne's "On the Russian Persecution of the Jews"
• The Poetic Assault: Swinburne's "The Saviour of Society"
• The Savior of Society

Miscellaneous Poems

• The Femme Fatale in Swinburne's "In the Orchard"
• A Feeling of Detachment in "Before Parting"
• Sound Liberates Meaning in Swinburne's "Itylus"
• Irresistible, Anguished Love in "A Ballad of Life"
• Swinburne's "Félise": A Dead Desire
• God as Pan: Swinburne's "A Nympholept"
• Gestalt Paganism in A.C. Swinburne's 'Hertha'