- Autobiographical Elements in Dickens's Great Expectations
- “Well, Oliver, how do you like it?”: Dickens, Funerals, and Undertakers
- The Importance of Magwitch's Gaze in Great Expectations
- Abel Magwitch: A Chronology of the Step-father Figure in Dickens's Great Expectations
- The Taint of the Past
- Marsh Gazing: Pip's Unhappy Reflections as an Apprentice
- "Reading" in the Novel: Misinterpretation of Plot and Crisis of Authorship in Great Expectations
- The Evils of Materialism in Idylls and Great Expectations
- A New Kind of Hero: Dickens's Great Expectations
- Victorian Endings: New Life, Old Love in Charles Dickens Great Expectations
- Moving Up the Social Ladder: The Bottom Rung vs. The Top Rung
- Biddy Voices Pip's Repressed Conscience
- Pip's Undoing
- Loyalty in Great Expectations and “The Coming of Arthur"
- Angels in the House?: Victorian Women in Great Expectations
- Hard Knocks in Great Expectations
- Subversion of Gender Identity in Great Expectations
- Renaming and Re-Creating Identity
- Criminally Self-Conscious: Pip's “Great Expectations"
- City and Country in In Memoriam and Great Expectations
- "Intimidation and Embarrassment in Conversations of Dickens' novel"
- Dickens, The Westminster Review, and the Convict Question
- Courtroom Experience in Victorian England at the time of Great Expectations
- Guilt and Complicity in Great Expectations
- Setting and Social Entrapmant in Great Expectations
- Death in Phantastes and Great Expectations
- Pip Learns to Reject the Goddess of Getting On
- Death as rebirth in Phantastes and Great Expectations
Other Works
- Theme and Subject in Little Dorrit
- Theme and Subject in Pickwick Papers
- Meltem Kiran Raw, "The French Revolution in the Popular Imagination: A Tale of Two Cities"
- Anthony Lake, "Ghosts, Bodies, Selves and others in David Copperfield"
- Philip V. Allingham, Crime-and Detection in Martin Chuzzlewit
Last modified 19 February 2015