The Boys (on p. 80) — Egraved by Evans; Phiz's fifth composite woodblock engraving for Charles Lever's Jack Hinton, The Guardsman (March 1842), for Chapter XII, "A Wager." 6.8 cm high by 9 cm wide (2 ⅝ by 3 ⅝ inches), vignetted. [Click on the illustration to enlarge it.]

Passage Illustrated: A Characteristic Dublin Street Scene

More immediately in front of the house stood a mixed society of idlers, beggars, horseboys, and grooms, assembled there from motives of curiosity or gain. Indeed, the rich odour of savoury viands that issued from the open kitchen windows and ascended through the area to the nostrils of those without, might in its appetising steam have brought the dew upon the lips of greater gourmands than they were. All that French cookery could suggest to impart variety to the separate meals of breakfast, luncheon, dinner, and supper, here went forward unceasingly; and the beggars who thronged around the bars, and were fed with the crumbs from the rich man's table, became by degrees so habituated to the delicacies and refinements of good living, that they would have turned up their noses with contempt at the humble and more homely fare of the respectable shopkeeper. Truly, it was a strange picture to see these poor and ragged men as they sat in groups upon the steps and on the bare flagway, exposed to every wind of heaven, the drifting rain soaking through their frail and threadbare garments, yet criticising, with practical acumen, the savoury food before them. Consommés, ragouts, pâtés, potages, jellies, with an infinity of that smaller grapeshot of epicurism with which fine tables are filled, all here met a fair and a candid appreciation.

A little farther off, and towards the middle of the street, stood another order of beings, who, with separate and peculiar privileges, maintained themselves as a class apart; these were the horseboys, half-naked urchins, whose ages varied from eight to fourteen, but whose looks of mingled cunning and drollery would defy any guess as to their time of life, who here sported in all the wild, untrammelled liberty of African savages. The only art they practised was to lead up and down the horses of the various [picture inserted here] visitors whom the many attractions of the Hotel Rooney brought daily to the house. And here you saw the proud and pampered steed, with fiery eye and swelling nostrils, led about by this ambulating mass of rags and poverty, whose bright eye wandered ever from his own tattered habiliments to the gorgeous trappings and gold embroidery of the sleek charger beside him. In the midst of these, such as were not yet employed, amused themselves by cutting summersets, standing on their heads, walking crab-fashion, and other classical performances, which form the little distractions of life for this strange sect. [Chapter XII, "A Wager," 80]

Related Material

Scanned image and text by Philip V. Allingham. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL.]

Bibliography

Lester, Valerie Browne. Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004.

Bibliography

Lester, Valerie Browne. Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004.

Lever, Charles. Jack Hinton, The Guardsman. London: Chapman and Hall, 1843, rpt. 1857; reprinted with "26 etchings by Phiz" (London: Downey, 1897; 1901).

Stevenson, Lionel. Chapter VI, "Editor, 1841-1843." Dr. Quicksilver: The Life of Charles Lever. London: Chapman and Hall, 1939. 92-107.

Sutherland, John A. "The Dublin University Magazine." The Stanford Companion to Victorian Fiction. Stanford, Cal.: Stanford U. P., 1989, rpt. 1990, 200.

Thomson, David Croal. Life and Labours of Hablột Knight Browne, "Phiz". London: Chapman and Hall, 1884.


Created 26 May 2023