My Evening Diversion (p. 114) demonstrates how, despite his growing anxiety about unwanted visitors to his island, Crusoe struggles to maintain his daily routines. Paget offers evidence of Crusoe's handiwork (the wicker basket, the goatskin clothing, and the pot) as well as evidence of of the deterioration of his clothing (the torn shirt). Middle of page 117, vignetted: 7 cm high by 10 cm wide, signed "Wal Paget" in the lower right-hand quadrant. Running head: "Further Precautions" (p. 117).
Scanned image and text by Philip V. Allingham. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
Passage Illustrated
Now I began to take courage, and to peep abroad again, for I had not stirred out of my castle for three days and nights, so that I began to starve for provisions; for I had little or nothing within doors but some barley-cakes and water; then I knew that my goats wanted to be milked too, which usually was my evening diversion: and the poor creatures were in great pain and inconvenience for want of it; and, indeed, it almost spoiled some of them, and almost dried up their milk. Encouraging myself, therefore, with the belief that this was nothing but the print of one of my own feet, and that I might be truly said to start at my own shadow, I began to go abroad again, and went to my country house to milk my flock: but to see with what fear I went forward, how often I looked behind me, how I was ready every now and then to lay down my basket and run for my life, it would have made any one have thought I was haunted with an evil conscience, or that I had been lately most terribly frightened; and so, indeed, I had. However, I went down thus two or three days, and having seen nothing, I began to be a little bolder, and to think there was really nothing in it but my own imagination; but I could not persuade myself fully of this till I should go down to the shore again, and see this print of a foot, and measure it by my own, and see if there was any similitude or fitness, that I might be assured it was my own foot: but when I came to the place, first, it appeared evidently to me, that when I laid up my boat I could not possibly be on shore anywhere thereabouts; secondly, when I came to measure the mark with my own foot, I found my foot not so large by a great deal. Both these things filled my head with new imaginations, and gave me the vapours again to the highest degree, so that I shook with cold like one in an ague; and I went home again, filled with the belief that some man or men had been on shore there; or, in short, that the island was inhabited, and I might be surprised before I was aware; and what course to take for my security I knew not. [Chapter XI, "Finds​ Print of a Man's Foot in the Sand," pp. 113-114]
Related Material
- Daniel Defoe
- Illustrations of Robinson Crusoe by various artists
- Illustrations of children’s editions
- The Life and Adventures of Robinson Crusoe il. H. M. Brock at Project Gutenberg
- The Further Adventures of Robinson Crusoe at Project Gutenberg
Parallel Scenes from the 1863-64 Sequence
Above: The earlier Cassell's illustration of Crusoe struggling to maintain normalcy, Crusoe milking goats. [Click on the image to enlarge it.]
Reference
Defoe, Daniel. The Life and Strange Surprising Adventures of Robinson Crusoe Of York, Mariner. As Related by Himself. With upwards of One Hundred and Twenty Original Illustrations by Walter Paget. London, Paris, and Melbourne: Cassell, 1891.
Last modified 1 May 2018