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The Bull’s-eye
Gustave Doré (1832-83)
1872
Source: London, p. 145
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Although Gustave Doré did not visit England until 1869, he knew the work of the caricaturist, illustrator, and engraver George Cruikshank both from his London scenes in Oliver Twist and Sketches by Boz, and especially from two sensational glyphographic series, The Bottle (1847) and The Drunkard's Children (1848). Richard A. Vogler, who claims Cruikshank influenced Doré's conceptions of London, points to his scene in the threepenny lodging house that he believes was directly inspired by the fourth plate of The Drunkard's Children (p. 161), but Doré’s work shows a very different approach to his subject that focusses upon the atmosphere of the 1848 illustration of the seamier side of London. In The Bulls-Eye", Doré depicts three constables using a lantern to illuminate a crowded scene in a slum alley. But neither of these Doré pictures is analogous to the situation in the Cruikshank illustration of the three-penny "lodging house" which the two uniformed "Bobbies," members of the Metropolitan Police Force, visit in order to apprehend the thief.
Above: George Cruikshank's realistic realisation of the apprehension of the Drunkard's son, Urged on by His Ruffian Companions, and Excited by Drink, He Commits a Desperate Robbery. — He is Taken by the Police at a Three-Penny Lodging House. [Click on image to enlarge it.]
Cruikshank, George. The Drunkard's Children. A Sequel to "The Bottle." London: David Bogue, 1848.
Jerrold, Blanchard, and Gustave Doré. London: A Pilgrimage. London: Grant & Co., 1872.
Vogler, Richard A. Graphic Works of George Cruikshank. Dover Pictorial Archive Series. New York: Dover, 1979.
Last modified 26 August 2017