The Tower of London. 6.4 cm by 9.5 cm wide, vignetted, p. 27. [Click on the image to enlarge it.]— George Cruikshank. January 1840. Seventh illustration in William Harrison Ainsworth's
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"Bring him to the Stone Kitchen, then," returned Gog. "He will be as safe there as anywhere else, and you will be none the worse for a can of good liquor, and a slice of one of Dame Trusbut's notable pasties."
"Agreed;" rejoined the heralds, smiling; "bring him along." While this was passing, Cholmondeley, whose impatience could brook no further delay, entreated Magog to conduct him at once to the habitation of the fair Cicely. Informing him that it was close at hand, the giant opened a small postern on the left of the gateway leading to the western line of fortifications, and ascending a short spiral staircase, ushered his companion into a chamber, which, to this day, retains its name of the Stone Kitchen. It was a low, large room, with the ceiling supported by heavy rafters, and the floor paved with stone. The walls were covered with shelves, displaying a goodly assortment of pewter and wooden platters, dishes and drinking-vessels; the fire-place was wide enough to admit of a whole ox being roasted within its limits; the chimney-piece advanced several yards into the room, while beneath its comfortable shelter were placed a couple of benches on either side of the hearth, on which a heap of logs was now crackling. [Book One, Chapter III. — "Of the Three Giants of the Tower of London . . . ," pp. 27-28]
George Cruikshank has given concrete life to the Tower's past, creating figures that convincingly take command of the stage offered by its charged spaces and, like the acting of Henry Irving, appear as if momentarily illuminated by flashes of lightning. Cruikshank’s pictures stand alone, like glimpses of a strange dream, drawing the viewer into a compelling emotional universe with its own logic, peopled with its own inhabitants and where it is too readily apparent what is going on. [Gentle Author, "The Bloody Romance of the Tower."]
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Last modified 13 September 2017