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In the garrett above the Defarges' wine-shop, the mender of roads describes to Jacques No. 4 (Defarge) and the other members of St. Antoine's Jacquerie the arrest of theMarquis' assassin at his country chateau, and of this St. Antoine native's subsequent torture and execution. This gaunt corpse, dangling above the well, was once the father of the child whom the Marquis' carriage ran over in Book Two, Chapter VII:
"I stand aside, messieurs, by my heap of stones, to see the soldiers and their prisoner pass (for it is a solitary road, that, where any spectacle is well worth looking at), and at first, as they approach, I see no more than that they are six soldiers with a tall man bound, and that they are almost black to my sight — except on the side of the sun going to bed, where they have a red edge, messieurs. Also, I see that their long shadows are on the hollow ridge on the opposite side of the road, and are on the hill above it, and are like the shadows of giants. Also, I see that they are covered with dust, and that the dust moves with them as they come, tramp, tramp! But when they advance quite near to me, I recognise the tall man, and he recognises me. Ah, but he would be well content to precipitate himself over the hill-side once again, as on the evening when he and I first encountered, close to the same spot!"
He described it as if he were there, and it was evident that he saw it vividly; perhaps he had not seen much in his life.
"I do not show the soldiers that I recognise the tall man; he does not show the soldiers that he recognises me; we do it, and we know it, with our eyes. 'Come on!' says the chief of that company, pointing to the village, 'bring him fast to his tomb!' and they bring him faster. I follow. His arms are swelled because of being bound so tight, his wooden shoes are large and clumsy, and he is lame. Because he is lame, and consequently slow, they drive him with their guns — like this!"
He imitated the action of a man's being impelled forward by the butt-ends of muskets.
"As they descend the hill like madmen running a race, he falls. They laugh and pick him up again. His face is bleeding and covered with dust, but he cannot touch it; thereupon they laugh again. They bring him into the village; all the village runs to look; they take him past the mill, and up to the prison; all the village sees the prison gate open in the darkness of the night, and swallow him — like this!"
He opened his mouth as wide as he could, and shut it with a sounding snap of his teeth. Observant of his unwillingness to mar the effect by opening it again, Defarge said, "Go on, Jacques." [Book the Second, "The Golden Thread," Chapter XV, "Knitting," 508]
Scanned image and text by Philip V. Allingham. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
Allingham, Philip V. "Charles Dickens's A Tale of Two Cities (1859) Illustrated: A Critical Reassessment of Hablot Knight Browne's Accompanying Plates." Dickens Studies. 33 (2003): 109-158.
Dickens, Charles. A Tale of Two Cities. Illustrated by John McLenan. Harper's Weekly: A Journal of Civilization, 7 May through 3 December 1859.
_______. A Tale of Two Cities. Illustrated by Phiz (Hablot Knight Browne). London: Chapman and Hall, November 1859.
_______. A Tale of Two Cities. Illustrated by Sol Eytinge, Jr. The Diamond Edition. 16 vols. Boston: Ticknor and Fields, 1867. XIII.
_______. A Tale of Two Cities. Illustrated by Fred Barnard. The Household Edition. 22 vols. London: Chapman and Hall, 1874. VIII.
_______. A Tale of Two Cities: A story of the French Revolution. Project Gutenberg e-text by Judith Boss, Omaha, Nebraska. Release Date: September 25, 2004 [EBook #98].
_______. A Tale of Two Cities. With illustrations by John McLenan and Rowland Wheelwright. Orinda, Cal.: Sea Wolf Press, 2021.
Guiliano, Edward, and Philip Collins. The Annotated Dickens. 2 vols. New York: Clarkson N. Potter, 1986.
Created 27 November 2007
Last modified 30 November 2025
