Double Sheet (B) (recto)

George Frederick Watts (1817−1904)

Watercolor on paper

361 x 232 mm (14 1/4 x 9 1/8 inches)

Row 1, left: Study after Correggio, The Mystic Marriage of Saint Catherine, 1526−29, Louvre. Watercolor on wc paper. 67 x 66 mm (2 5/8 x 2 1/2 inches). Inscribed below: "Titian" (crossed) / "Corregio" [sic].

Row 1, right: Study after Titian, Allegory of Marriage or Allegory of Alphonso d'Avalos, c. 1530, Louvre. Watercolor on wc paper. 65 x 60 mm (2 1/2 x 3 3/8 inches). Inscribed below: "Allegory / Louvre."

Row 2: Study after Tintoretto, Wedding Feast at Cana, 1561, detail, Sta Maria della Salute, Venice. Inscribed lower left: "£3—10—od Both Sides"; lower right: "Venice, Tintoretto."

Row 3, left: Study after Van Dyck, the so called Portrait of Richardot and His Son, c. 1620, Louvre.

Row 3, right: Study after Correggio, Danae, c. 1510−32, Galeria Borghese.

Row 4: Study after Titian, Virgin with the Child and Saints, c. 1510, Louvre. Graphite and watercolor on wc paper. 124 x 148 mm (4 7/8 x 5 3/4 inches). Inscribed: "Palma / Paris / now called a / Titian."

[Click on the images to enlarge them.]

You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the Crowther-Oblak Collection of Victorian Art and the National Gallery of Slovenia and the Moore Institute, National University of Ireland, Galway (2) and link your document to this URL in a web document or cite the Victorian Web in a print one.