Traceries from Caen, Bayeux, Rouen, and Beauvais by John Ruskin

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Traceries from Caen, Bayeux, Rouen, and Beauvais

John Ruskin

R. P. Cuff, engraver

1855

6 7/8 x 4 1/2 inches

Plate III, The Seven Lamps of Architecture in Works, 8.88

Related material

Photograph of Fig. 5 (Bayeux)

Ruskin's 1835 drawing of Rouen cathedral

Scanned image and text by George P. Landow

[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the photographer and (2) link your document to this URL]

“The Lamp of Truth”

There cannot be the shadow of a question, in the mind of a person familiarised with any single series of consecutive examples, that tracery arose from the gradual enlargement of the pene- trations of the shield of stone which, usually supported by a central pillar, occupied the head of early windows. Professor Willis, perhaps, confines his observations somewhat too ab- solutely to the double sub-arch. I have given, in Plate VII. fig. 3, 2 an interesting case of rude penetration of a high and simply trefoiled shield, from the church of the Eremitani at Padua. But the more frequent and typical form is that of the double sub-arch, decorated with various piercings of the space between it and the superior arch; with a simple trefoil under a round arch, in the Abbaye aux Hommes, Caen (Plate III. fig. 1); with a very beautifully proportioned quatrefoil, in the triforium of Eu, and that of the choir of Lisieux; with quatrefoils, sixfoils, and septfoils, in the transept towers of Rouen (Plate III. fig. 2); with a trefoil awkwardly, and very small quatrefoil above, at Coutances (Plate III. fig. 3); then, with multiplications of the same figures, pointed or round, giving very clumsy shapes of the intermediate stone, (fig. 4, from one of the nave chapels of Rouen, fig. 5, from one of the nave chapels of Bayeux,) and finally, by thinning out the stony ribs, reaching conditions like that of the glorious typical form of the clerestory of the apse of Beauvais (fig. 6).*

*In this plate, figures 4, 5 and 6, are glazed windows, but figure 2 is the open light of a belfry tower, and figures 1 and 3 are in triforia, the latter also occurring filled, on the central tower of Coutances. [p. 88]

Bibliography

Ruskin, John. Works, "The Library Edition." eds. E. T. Cook and Alexander Wedderburn. 39 vols. London: George Allen, 1903-1912.

Ruskin, John. The Seven Lamps of Architecture in Works, vol. 8. Hathi Trust Digital Library. Web. 6 June 2010.

Last modified 27 June 2010