Atkinson Grimshaw
- Grimshaw's Urban Medieval Take on the Lady of Shalott and Elaine
- Use of light in Grimshaw's On The Esk, Whitbyt
- Mist and Mystery in Atkinson Grimshaw's Paintings
- A Subject in Shadows: Atkinson Grimshaw's The Lovers
- A Softer Nature: Grimshaw's Iris, Goddess of the Rainbow
Evelyn De Morgan
- Overwhelming Grief and the Power of Landscape in Evelyn De Morgan's Deianira
- Evelyn de Morgan: The Influence of Sir Edward Burne-Jones
- The Simplicity of Detail in Hope in the Prison of Despair
Charles De Sousy Ricketts
John Liston Byam Shaw
- The Changing Seasons in Now is the Pilgrim Year's Fair Autumn's Charge
- The Revitalization of Pre-Raphaelitism in Byam Shaw's The Caged Bird
Simeon Solomon
- Allegory and Symbolism in Simeon Solomon's Night
- Passionate Encounter in Simeon Solomon's Damon and Aglae
John William Waterhouse
- John William Waterhouse's eroticized Hylas and the Nymphs
- Hylas and the Nymphs: Waterhouse's Version of the Femme Fatale
- Vulnerability, Enigma, and Titillation in Waterhouse's A Mermaid
- A Departure from Pre-Raphaelitism in Waterhouse's Lady of Shallot
- Portrait of a Cynic: Waterhouse's Diogenes
- Waiting on a Familiar Figure: Fair Rosamund and Mariana
- Mirrors that reflect the feminine vision in Destiny and other Waterhouse paintings
- Waterhouse's Diogenes
Other Artists
- Symbolism and Greek influences on Meteyard's Evening
- Emily Sandys's captivating Portrait of a Girl
- The Rejection of Narrative in Spencer-Stanhope's Love and the Maiden
- Burne-Jones' Influence upon the Work of John Melhuish Strudwick
- Depictions of Women by Pre-Raphaelite Associates
Last modified 9 April 2008