Lucien Pissarro adopted neo-impressionism with his father and was closely linked with the originators of the movement. He worked at his father's side and was the first of Camille Pissarro's sons to exhibit with him.— John Rewald, p. 15
Lucien’s work is fascinating for its combination of French and English artistic traditions. — "Lucien Pissarro (1863-1944)"
Paintings of English Scenery (A Selection)
- The Garden, Epping, 1893-95
- April, Epping, 1894
- Cottage at Storrington, 1911
- The Hills from Cadborough, Sunset, 1913
- Blackpool Valley, 1913
- Wild Boar Fell, Brough, 1914
- Willows, Fishpond, Dorset, 1915
- Fishpond Bottom, 1915
- Highview, Fishpond, 1915
- The Dorking Road, Coldhardbour, in Snow, 1916
- Ivy Cottage, Coldharbour: Sun and Snow, 1916
- Crockers Lane, Coldharbour, 1916
- All Saints Church, Hastings: Sun and Mist, 1918
- November Sunset on the Thames, Kew, 1919
- The Pagoda, Kew, 1919
Bibliography
Baron, Wendy. The Camden Town Group. London: Scolar Press, 1979.
_____. "Pissarro, Lucien Camille (1863–1944), artist and printer." Oxford Dictionary of National Biography. Online ed. Web. 11 August 2020.
"Lucien Pissarro (1863-1944)." Stern Pissarro Gallery. Web. 11 August 2020.
Pissarro, Camille. Letters to his Son Lucien. Ed. John Rewald with the assistance of Lucien Pissarro. 2nd ed. New York: Pantheon, 1943. Internet Archive. Contributed by the Guggenheim Library. Web. 11 August 2020.
Rewald, John. Introduction. Letters to his Son Lucien. Ed. Rewald with the assistance of Lucien Pissarro. 2nd ed. New York: Pantheon, 1943. 11-17. Internet Archive. Contributed by the Guggenheim Library. Web. 11 August 2020.
Upstone, Robert. Painters of Modern Life: The Camden Town Group (part of "The Camden Town Group in Context" project). Tate. Web. 11 August 2020.
Created 11 August 2020