Autumn Leaves
- Capturing a Transient Moment: Millais's Autumn Leaves
- Millais's Melancholic Beauty in Autumn Leaves
- Mortality, Purity, and Religious Contemplation in Autumn Leaves
- Nostalgic Intensity in Autumn Leaves
The Blind Girl
Ferdinand Lured by Ariel
John Ruskin
Mariana
- Millais's Mariana: Literary Painting, the Pre-Raphaelite Gothic, and the Iconology of the Marian Artist (long article)
- Mariana and Angelo or Mary and the Angel
- Literary References and Mood in Mariana
- Artistic Choices in Millais's Illustration for "Mariana" in the Moxon Tennyson
- "Aweary" and Waiting: John Everett Millais's Mariana
Ophelia
Portrait of a Girl
- Expression in Millais's Portrait of a Girl (Sophie Gray)
- Millais's Dramatic Portrait of a Girl (Sophie Gray)
The Woodman's Daughter
- The Forboding Fruit: The Woodman's Daughter
- Seduction and Foreshadowing of Disaster in The Woodman's Daughter
Miscellaneous
- A Transitional Work: A Dream of the Past — Sir Isumbras at the Ford
- Different Methods of Confronting Mortality (The Vale of Rest)
- The Later Years of John Everett Millais's Portraits: Impressionistic Genius or Lazy self-indulgence?
- Hearts are Trumps: Are there men in the picture?
- The "Hideous, Wry-necked, Blubbering" Christ in the House of His Parents
- Composition and its Consequences in Millais's A Huguenot on St. Bartholomew's Day
- Doomed and Decorated: Millais's Lovers and their Surroundings in The Black Brunswickers
- Knowledge and Family in Millais's The Ruling Passion
- Nudes and Knights: Millais's The Knight Errant
- Order in the Family in The Order of Release
Last modified 2 October 2006