Royal Academy
1842 The Arran Fisherman’s Drowned Child, no. 786
A Connaught toilet – Connemara girls on their way to market, no. 897
1849 Miss Helen Faucit, no. 888
Miss Helen Faucit - a sketch, no. 909
Portrait of a Lady, no. 959
1850 Evening; a portrait, no. 1058
1867 The author of “Adam Bede.” [Portrait of George Eliot] , no. 735
1874Mrs. George Smith, no. 869.
Society of Painters in Water Colours (Old Water Colour Society)
1855 Franconian Peasantry [Pilgrims] in the Cathedral of Bamberg, no. 181
Peasantry of Upper Franconia waiting for Confession, no. 239
1856 A Tale – Beggars of Ober Franken, no. 222
1857 Faust’s first Sight of Margaret [Marguerite] , no. 130
1859 In St Eucharius Chapel, Nuremberg, no. 75
Morning Study near Starnberg, Upper Bavaria – drawing, no. 60
The Widow of Wöhlm, no. 128
German Apple Girl, Recht schöne Aepfel, gnädiger Herr? no. 266
Tyrolese Boys trapping Birds, no. 282
1860 A Pair of Ducks, no. 215
Am Schutzpatronentage; in der Procession [Child in a Procession] , no. 228
1861 A.D. 1660. The Old Ironside, no. 275
1862 The Wife of Hassan Aga, no. 280
A German Interior, no. 312
Yelitza, no. 320
1862 (First Winter Exhibition) – Sketches and studies by members
Sketch from life, Tyrol, no. 2
Vista of side chapels in the church at Göffweinstein, no. 56
Preparatory study of drapery, no. 124
Preparatory study of drapery, no. 134
The Eucharius Kapelle, Nuremberg, no. 182
Statue of St Stephen, King of Hungary, in Bamberg cathedral, a work of the 13th century, no. 211
Study of a young girl of Oberfranken, no. 250
Preparatory studies of drapery, no. 316
Study from a dead giraffe, no. 326
Preparatory studies of drapery, no. 335
Unfinished study from freshly pulled maize, no. 388
Head, study in chalk, no. 389
Pine wood, lower Innthal, no. 390
Unfinished study, no. 403
‘Divina Commedia’ Canto ii. Beatrice and Virgil. Design made several years ago for a Friend, no. 408
The Disputation of the Body and the Soul. Design made for Friend who had translated an ancient Scottish Poem on the subject, no. 412
In the Wienfenthal, Oberfranken, no. 415
Study of a stump of pine, Innthal, no. 420
Preparatory study of Drapery – Headkerchief of Oberfranken, no. 422
1863 German Lilacs, no. 234
Dreams [Daydreams] . One of a Series of Drawing presented to Edwin W. Field, Esq., by the Members of the Society of Painters in Water Colours, no. 239
Iostephane, no. 273
1863-64 (Second Winter Exhibition)
And the driving is like the driving of Jehu, the son of Nimthi. “And Jehoram said, Is it peace, And Jehoram turned and fled. And Jehu filled his hand with a bow, and smote Jehoram between the arms, and the arrow went out at his heart, and he sank down in his chariot” – 2 Kings, ix. no. 172
Rough sketch for Tyrolese Bird Trappers, no. 181
A study: a Child’s head – early need, no. 302
Pocket book jottings. Sybil from Bamberg – Escucheon from Nuremburg, no. 338
Design for a massive Golden Fibula; presented at Dublin to Miss Helen Faucit on occasion of her performance in “Antigone”, no. 355
Sketches of a child’s profile, no. 357
Pocket book jottings. A landscape, no. 380
1864 Hellelil and Hildebrand. The Meeting on the Turret Stairs; suggested by a Norse Ballad, no. 82
L’Ecuyer [The Knight’s Esquire], no. 297
The Child Miranda. “The isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not.” – Tempest, no. 339
1864-65 (Third Winter Exhibition)
At Schwatz, in the Inn Valley, no. 14
A study in chalk, no. 22
In the church in Rothenburg, no. 98
Memorandum, no. 114
Castle-Gate in Oberfranken, no. 218
Various studies, no. 287
Flowers, no. 419
Study in chalk, no. 441
1865 La Marchesa, no. 27
Clematis, no. 247
1866 A Study, no. 147
1866-67 (Fifth Winter Exhibition)
A Study, no. 212
A Study, no. 395
1867 Weary, no. 139
Shireen [an oriental woman], no. 223
1867-68 Sixth Winter Exhibition
A Study, no. 199
Study from life, no. 368
1869 Cassandra Fedele “Elle était devenue pour les Vénitiens une espéce de Muse nationale,” no. 20
Dudley Gallery, Watercolour exhibitions
1871 La Romania, no. 172
1873 A Portrait, no 283
Manchester Art Treasures Exhibition
1857 Helen Faucit, no. 439
Beggars at Ober Franken, no. 443
Peasants of Upper Franconia waiting for Confession, no. 444
London International Exhibition, South Kensington
1862 A Remnant of the Ironsides, no. 1069
Faust’s first Sight of Marguerite, no. 1185.
The Widow of Wöhlm – Costume of Upper Franconia, no. 1211
Italian Fruit-Girl, no. 1286
Interior of Bamberg Cathedral, no. 1371
Dublin International Exhibition
1865 Study – The Bride of Corinth, no. 7
The Widow of Wöhlm, no. 26
Hellelil and Hildebrand. The Meeting on the Turret Stairs, no. 56
The Old Ironside, no. 94
Iostephane, no. 97
A Flower, no. 98
Yelitza, no. 108
National Exhibition of Works of Art, Leeds
1868 Religious Ceremony in the Cathedral of Bamberg in Bavaria, no. 2079
Repose [Weary] , no. 2337
Shireen, no. 2339
Iostephane, no. 2344
Grosvenor Gallery
1877 Mrs. George Smith, no. 57
1878 (Winter Exhibition of Drawings by the Old Masters and Water-colour Drawings)
Iostephane, no. 907
Hellelil and Hildebrand. The Meeting on the Turret Stairs, no. 908
A Flower, no. 909
The Widow of Woehlm [Wöhlm] , no. 910
1882 Portrait of the late George Eliot, no. 237
Manchester, Royal Jubilee Exhibition
1887 The Squire [L’Ecuyer] , no. 961
Peasants of Upper Franconia Waiting for Confession, no. 1318
Shireen, no.1430
Irish International Exhibition
1907 A Corn Field, no. 306
Portrait of Mrs. Hutton, no. 309
Iostephane, no. 310
Last modified 11 April 2022