John Ruskin
- Ruskin, Wilde, Satire, and the Birth of Aestheticism
- Ruskin in Wilde's 1882 Lecture at Yale University
- John Ruskin and the Jokanaan of Wilde's Salomé
- Wilde rejects Ruskin’s views of the relation of fine and decorative arts
William Morris
- “Mr. Morris’s Odyssey — Wilde’s review essay”
- “Mr. Morris’s Completion of the Odyssey — Wilde’s review essay”
- “Mr.Morris’s Last Book” [review of A Tale of the House of the Wolfings]”
Walter Pater
- “Mr. Pater’s Imaginary Portraits” — Wilde’s review
- Seriousness and the Decadent Pose: Pater and Wilde
- Pater in Wilde's The Happy Prince and Other Tales and A House of Pomegranates
Max Beerbohm
- Introduction: The Incomparable Max and the Unspeakable Oscar
- The Early Period: Imitation
- The Middle Period: Criticism
- The Late Period: Satire
- Conclusion: "Compare Me"
William Butler Yeats
Miscellaneous
- Wilde's praise of Matthew Arnold and Elizabeth Barrett Browning
- Wilde on Swinburne’s strenghts and weaknesses as a poet
- “Some Literary Notes” [On Wordsworth and the Wordsworth Society]
- The Roots of Oscar Wilde’s Dress Philosophy
- Ovid and Classical Mythology
- "If thou hadst looked at me . . . ": Wilde's Picture of Salome
- Eliot's Daniel Deronda and the Problem of the Jewish Manager in The Picture of Dorian Gray
- “Irish Fairy Tales”
- The Picture of Dorian Gray, Tennyson, Stevenson, and Victorian views of Suicide
- Michael Gold's "The Fiend Breaks Loose: 'Shadows,' Doubles and Demons in London-based Fiction of the Late Nineteenth-century" (includes a discussion of The Picture of Dorian Gray)
- London in Wilde and Dickens
- Love and the Discovery of Self in Hardy and Wilde
Wilde’s Essays on French Authors
- “Balzac in English”
- “Béranger in England”
- “M. Caro on George Sand”
- “The Letters of a Great Woman” [on Georges Sand]
Adaptations
Last modified 14 February 2019