General
- Dickens's Use of Setting [Ch 6 in E. D. H. Johnson's Charles Dickens]
- The London of Dickens's Lifetime: Maps and Landmarks
- Dickens's use of the stage-coach as a way of back-dating his stories
- Charles Dickens and “the Big Stink”
- "The Smallness of the World": Dickens, Reynolds and Mayhew on Wellington Street
Bleak House
- Descriptions of Fog in Bleak House
- The Crossing-Sweeper Nuisance (Punch)
- The Slum of All Fears: Dickens's Concern with Urban Poverty and Sanitation
- Dickens's Description of a Graveyard
Great Expectations
- Solitary Marshes: The Isolating Country
- The Pathetic Fallacy and Magic — Tennyson and Dickens
- Radcliffe, Dickens, and Nature
- Word-Painting in Jane Eyre and Great Expectations
- Jagger's Room: Setting and Character in in Great Expectations
- Defining Characters by Their Chosen Environment
- Cyclical versus Linear Setting in Jane Eyre and Great Expectations
- Setting and Social Entrapmant in Great Expectations
- Descriptions of Rooms in "The Palace of Art" and Great Expectations
- Character and Environment in "The Palace of Art" and Great Expectations
- Smithfield Market, London
- Wemmick's Castle
Little Dorrit
- Allegorical settings Little Dorrit
- Allegorical settings in Phantastes and Little Dorrit
- Characterization and Setting in Dickens's Little Dorrit
Martin Chuzzlewit
- The Dualistic Chronological Setting of Dickens's Martin Chuzzlewit
- Tom compares country and city coaches as he travels to London
Pickwick Papers
- A beautiful autumn day — setting and description in Pickwick Papers
- Redemption from Thorns: Hope and Description in Pickwick and Jane Eyre
A Tale of Two Cities
Last modified 25 June 2013