Mr. Paul tastes Mrs. Fumbally's "you know — you know"
Phiz
April 1847 (sixteenth) instalment: initial illustration
Steel-engraving
11.5 cm by 9.3 cm (4 ⅝ by 3 ⅝ inches), vignetted.
Charles Lever's The Knight of Gwynne; A Tale of the Time of the Union (March 1847), originally for Part 16, facing p. 484.
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Scanned image and text by Philip V. Allingham.
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Passage Illustrated: Comfortably back at Mrs. Fumbally's Boarding-house
“You are not half careful enough about yourself, Mr. Dempsey, — never attend to changing your damp clothes, — and I assure you the climate here requires it; and when you come in cold and wet, you should always step in here, on your way upstairs, and take a little something warm and cordial. I don't know if you approve of this,” suiting the action to the words. Mrs. Fum had opened a small cupboard in the wall, and taken out a quaint-looking flask, and a very diminutive glass.
“Nectar, by Jove, — downright nectar!”
“Made with some white currants and ginger,” chimed in Mrs. Fum, simply, as if to imply, “See what skill can effect; behold the magic power of intelligence!”
“White currants and ginger!” echoed Paul, holding out the glass to be refilled.
“A trifle of spirits, of course.”
“Of course! couldn't be comforting without it.”
“That's what poor dear Fumbally always called, 'Ye know, ye know!' It was his droll way of saying 'Noyau!'” Here Mrs. F. displayed a conflict of smiles and tears, a perfect April landscape on her features. “He had such spirits!”
“I don't wonder, if he primed himself with this often,” said Dempsey, who at last relinquished his glass, but with evident unwillingness. [Chapter LVIII, "A Bit of 'By-play'," 484]
Commentary: Dempsey joyfully returns to Mrs. Fumbally's boarding-house
Having left The Corvy a second time, but having helped Lady Eleanor and Helen escape the noxious presence of Anthony Nickie and his agents, Paul Dempsey returns to Mrs. Fumbally's with the ladies. He is relieved to be Mrs. Fumbally's guest after his ordeal on the road and at Bagenal Daly's cottage, and luxuriates in several glasses of Mrs. Fumbally's invigorating spirits, whose properties are more than medicinal. It was, indeed, the custom of the late Mr. Fumbally to imbibe, and the ritual here smacks of Mrs. Fumbally's proposing that Paul should take his place. To underscore this element of middle-aged "courtship" and replacing the first husband with a second, Phiz has strategically situated a large-scale, head-and-torso portrait of the deceased husband above the mantelpiece. Mrs. Fumbally makes so bold as to compare the defunct Fumbally and the promising Dempsey:
“Kind — kind creature!” sobbed Mrs. Fum, as she poured out the last of the liquor. And Paul was sorely puzzled, whether the encomium applied to the defunct or himself. “Do you know, Mr. Dempsey,” here she gave a kind of hysterical giggle, that might take any turn, — hilarious, or the reverse, as events should dictate, — “do you know that as I see you there, standing before the fire, looking so pleasant and cheerful, so much at home, as a body might say, I can't help fancying a great resemblance between you and my poor dear Fum. He was older than you,” said she, rapidly, as a slight cloud passed over Paul's features. “Older and stouter, but he had the same jocose smile, the same merry voice, and even that little fidgety habit with the hands. I know you'll forgive me, even that was his.”
This was in all probability strictly correct, inasmuch as for several years before his demise the gifted individual had labored under a perpetual “delirium tremens.”
“He rather liked this kind of thing,” said Paul, pantomiming the action of drinking with his now empty glass. [485]
Everything within the frame suits this prevailing mood of domestic comedy, from the roaring coal-fire in the grate to the open liquor cabinet and the landlady's oversized hat and nose. The reader is struck by the physical resemblance between the middle-aged bourgeois in the oil portrait, presiding over the cluttered parlour, and Paul Dempsey, centre.
Other Comic Illustrations Featuring Paul Dempsey and Mrs. Fumbally
- 22. Mr. Paul Dempsey does the honours of Ballintray (facing p. 312) October 1846
- 23. Mr. Dempsey's visit to the Corvy (facing p. 325) November 1846
- 24. Dodd and Dempsey at the Review (facing p. 337) November 1846
- 26. Mr. Dempsey's Newspaper creates a sensation (facing p. 375) December 1846
- 27. A Commotion in Miss Fumbally's establishment (facing p. 396) January 1847
- 29. Mr. Dempsey finds out "something to his advantage" (facing p. 422) February 1847
- 31. Mr. Dempsey catches a Lawyer asleep (facing p. 465) March 1847
- 32. Paul discovers a "pose plastique" (facing p. 466) March 1847
- 34. A Drawing-room disunion at Mrs. Fumbally's (facing p. 492) April 1847
- 37. Mr. Dempsey in My Lady's Boudoir (facing p. 557) June 1847
- 39. Mr. Dempsey's last appearance and last request (facing p. 607) July 1847
Bibliography
Buchanan-Brown, John. Phiz! Illustrator of Dickens' World. New York: Charles Scribner's Sons, 1978.
Lester, Valerie Browne Lester. Chapter 11: "'Give Me Back the Freshness of the Morning!'" Phiz! The Man Who Drew Dickens. London: Chatto and Windus, 2004. Pp. 108-127.
Lever, Charles. The Knight of Gwynne; A Tale of the Time of the Union. London: Chapman and Hall, serialised January 1846 through July 1847.
Lever, Charles. The Knight of Gwynne. Illustrated by Phiz [Hablột Knight Browne]. Novels and Romances of Charles Lever. Vol. I and II. In two volumes. Project Gutenberg. Last Updated: 28 February 2018.
Steig, Michael. Chapter Four: "Dombey and Son: Iconography of Social and Sexual Satire." Dickens and Phiz. Bloomington: Indiana U. P., 1978. Pp. 86-112.
Stevenson, Lionel. Chapter IX, "Nomadic Patriarch, 1845-1847." Dr. Quicksilver: The Life of Charles Lever. London: Chapman and Hall, 1939. Pp. 146-164.
_______. "The Domestic Scene." The English Novel: A Panorama. Cambridge, Mass.: Houghton Mifflin and Riverside, 1960.
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