The third of Fred Barnard's twenty-five composite woodblock engravings in the eighth volume of the Household Edition of the Works of Charles Dickens: A Tale of Two Cities (1874), Book the First, "Recalled to Life," Chapter IV, "The Preparation": She curtsied to him (young ladies made curtsies in those days) with a pretty desire to convey to him that she felt how much older and wiser he was than she. 4 ¼ inches high by 5 ½ inches wide (10.6 cm by 13.8 cm), top of page 1, framed. [Click on the illustration to enlarge it.]
Commentary: Setting the Scene
Lucie Manette meets Mr. Jarvis Lorry of Tellson's Bank in her room at the old coaching inn ("The Royal George Hotel") at the port of Dover in the fourth chapter of Book the First, "Recalled to Life," Dickens's A Tale of Two Cities (Household Edition, 1874), p. 1. Through the curtseying and bowing of the figures, as well as through their costuming, Barnard reinforces the story's eighteenth-century setting, a period, as the text below the picture announces, of Light and Darkness, of hope and despair, a period, despite its quaint customs and antiquated fashions then thought current, "so far like the present" (1). The specific passage illustrated occurs a number of pages and several chapters later:
The obscurity was so difficult to penetrate that Mr. Lorry, picking his way over the well-worn Turkey carpet, supposed Miss Manette to be, for the moment, in some adjacent room, until, having got past two tall candles, he saw standing to receive him, by the table between them and the fire, a young lady of not more than seventeen, in a riding cloak, and still holding her straw travelling hat by its ribbon in her hand. As his eyes rested on a short, slight, pretty figure, a quantity of golden hair, a pair of blue eyes that met his own with an enquiring look, and a forehead with a singular capacity (remembering how young and smooth it was) of lifting and knitting itself into an expression that was not quite one of perplexity, or wonder, or alarm, or merely of a bright fixed attention, though it included all the four expressions — as his eyes rested on these things, a sudden vivid likeness passed before him of a child whom he had held in his arms on the passage across that very Channel, one cold time, when the hail drifted heavily and the sea ran high. . . . .
"Pray take a seat, sir." In a very clear and pleasant young voice: a little foreign in its accent, but a very little indeed.
"I kiss your hand, miss," said Mr. Lorry, with the manners of an earlier date, as he made his formal bow again, and took his seat. . . . .
She curtsied to him (young ladies made curtsies in those days) with a pretty desire to convey to him that she felt how much older and wiser he was than she. He made her another bow. [Chapter IV, "The Preparation," 9]
Thus, Barnard has chosen to focus on this connection between two of the tale's principal characters, rather than on Jerry Cruncher's highly dramatic stopping of the coach on the Dover Road in the second chapter, the subject that his friend Hablot Knight Browne had chosen as his first subject in the first monthly number (June, 1859), Recalled to Life.
Other Illustrated Editions (1859-1910)
- Hablot K. Brown or 'Phiz' (16 illustrations, 1859)
- John McLenan (63 illustrations, 1859)
- Sol Eytinge, Junior (8 illustrations, 1867)
- A. A. Dixon (12 illustrations, 1905)
- Harry Furniss (32 illustrations, 1910)
Related Material
- John McLenan's Thirty-One Headnote Vignettes for A Tale of Two Cities in Harper's Weekly (7 May — 3 December 1859)
- Hablot Knight Browne's (Phiz's) Monthly Serial Illustrations (June-December 1859)
- McLenan's and Phiz's Illustrations for
A Tale of Two Cities (1859): A Correspondence?
- Images of the French Revolution from Various Editions of A Tale of Two Cities (1859-1910)
Scanned image by Philip V. Allingham; text by PVA and George P. Landow. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
Bibliography
Allingham, Philip V. "Charles Dickens's A Tale of Two Cities (1859) Illustrated: A Critical Reassessment of Hablot Knight Browne's Accompanying Plates." Dickens Studies. 33 (2003): 109-158.
Davis, Paul. Charles Dickens A to Z: The Essential Reference to His Life and Work. New York: Checkmark and Facts On File, 1998.
Dickens, Charles. A Tale of Two Cities. illustrated by Phiz. London: Chapman & Hall, 1859.
Dickens, Charles. A Tale of Two Cities. Illustrated by Fred Barnard. The Household Edition. Vol. VIII. London: Chapman & Hall, 1874.
Dickens, Charles. A Tale of Two Cities. Illustrated by John McLenan. Harper's Weekly. Tenth instalment (2 July 1859): 405.
"Foulon, Joseph de Doué." Wikipedia. Accessed 28 February 2011. http://en.wikipedia.org/wiki/Joseph_de_Doue.
Guiliano, Edward, and Philip Collins. The Annotated Dickens. 2 vols. New York: Clarkson N. Potter, 1986.
Knight, Charles. The Popular History of England. Vol. VII. London: Chapman and Hall, 1857.
Sanders, Andrew. A Companion to "A Tale of Two Cities." The Dickens Companion Series, Vol. 4. London: Unwin Hyman, 1988.
Vann, J. Don. "A Tale of Two Cities in All the Year Round, 30 April — 26 November 1859." Victorian Novels in Serial. New York: The Modern Language Association, 1985. Pp. 71-72.
Created 22 February 2011
Last updated 2 December 2025