Headnote vignette for Dickens's "A Tale of Two Cities," Book II, Chapter XVI, "Still Knitting" in "A Tale of Two Cities" by John McLenan in "Harper's Weekly" (13 August 1859)

Headnote Vignette: "a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue"

7 cm high by 4.3 cm wide (3 inches by 1 ¾ inches)

John McLenan

Dickens's A Tale of Two Cities, Book II, "The Golden Thread," Chapter 16, "Still Knitting."

Harper's Weekly (13 August 1859): 517.

Appeared in the UK on Saturday, 6 August, in All the Year Round

Scanned image by Philip V. Allingham; text by PVA and George P. Landow.

[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]

Passage Illustrated

Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village — had a faint and bare existence there, as its people had — that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there.

Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well — thousands of acres of land — a whole province of France — all France itself — lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it. [Book the Second — "The Golden Thread," Chapter XVI, "Still Knitting," 517]

Other Illustrated Editions (1859-1910)

Related Material

Bibliography

Allingham, Philip V. "Charles Dickens's A Tale of Two Cities (1859) Illustrated: A Critical Reassessment of Hablot Knight Browne's Accompanying Plates." Dickens Studies. 33 (2003): 109-158.

Dickens, Charles. A Tale of Two Cities. Illustrated by John McLenan. Harper's Weekly: A Journal of Civilization, 7 May through 3 December 1859.

Dickens, Charles. A Tale of Two Cities: A story of the French Revolution. Project Gutenberg e-text by Judith Boss, Omaha, Nebraska. Release Date: September 25, 2004 [EBook #98].

Guiliano, Edward, and Philip Collins. The Annotated Dickens. 2 vols. New York: Clarkson N. Potter, 1986.

Created 27 November 2007

Last modified 23 November 2025