Academy Architecture and Architectural Review. Ed. Alexander Koch. London: Academy Architecture, 1890-1912.

"The Arts and Crafts Exhibition, 1893." The Studio I (1893): 10.

Avery, Charles, and Madeleine Walsh. "The Bronze Statuettes of the Art Union of London: The Rise and Decline of Victorian Taste in Sculpture." Apollo, 121 (May 1985): 328-37.

Beattie, Susan. The New Sculpture. New Haven and London: Yale University Press, 1983.

Burke, Edmund. Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful. Ed. J. T. Boulton. London: Routledge & Kegan Paul. 1958.

"Exhibition of students's work at South Kensington. The Studio. 1 (1893): 208.

Forrer, Leonard. Biographical Dictionary of Medallists . . . B. C. 500 -- A. D. 1900. 8 vols. London: Spink & Son, 1904, II, 267.

Petteys, Chris. Dictionary of Women Artists: An International Dictionary of Women Artists Before before 1900. Boston: G. K. Hall, nd.

Read, Benedict. Victorian Sculpture. New Haven and London: Yale University Press, 1982.

"Studio Notes." The Studio, 6 (1896): 120.

Waters, Grant M. Dictionary of British Artists Working 1900-1950. Eastbourne: Eastbourne Fine Art, 1975

Who Was Who, 1941-1950. London: Adam & Charles Black, nd.

Wood, T. Martin. "A Decorative Sculptor: Miss Ruby Levick (Mrs. Gervase Bailey)." b>The Studio 34 (1905): 100-107.

Yung, K. K. and M. Pettman. National Portrait Gallery Complete Catalogue, 1856-1979. New York: St. Martin's, 1981.


Last modified 4 January 2005