Biographical and Introductory Material
Aesthetics
- The Pleasure of Conceit: Hope, Memory, and Imagination
- The Imagination as the "hidden automatic working“ of the mind
- Contra Schiller and Kant on Beauty
- The Fundamental Error in Coleridge’s definitions of Science and the Arts
On the Fine Arts
- Ruskin’s Responsibility for the Broad Acceptance of Painting
- Hogarth and the Creation of a British School of Painting
On Literature
- On the Greatness of John Milton
- “A continual handling of pitch, in order to see how well it can be washed off” — the Morality of Richardson’s Pamela
- The Problem with Richardson’s Narrative Method
- “All This Cant of Finding God in the Material and Not in the Moral World”
- “Wordsworthian Misanthropy” and the Opposition between Nature and Humanity
- Lady Audley’s Secret
Miscellaneous
- Information Technologies and Political and Social Power
- Dallas, Matthew Arnold, & the Main Characteristics of the Victorian Age
- E. S. Dallas’s Criticism of Matthew Arnold on Criticism
- Venice as a Model for Victorian England
- Dallas on the Meaning of Nature and Natural
Last modified 20 May 2022