- Romney, Randolph, and Roland: The Three R's of Romance, or, a Deceptively Coherent Title Soon to Fragment Under the Pressure of Postmodernism
- The Undelivered Message: French Theory and Biographical Research in A.S. Byatt’s Possession
- “For the sake of truth alone?”: Taking Possession of the Female Diary
- Imperialism -- Cultural and Otherwise -- in A.S. Byatt's Possession
- The Contemporary Legacy of Victorian Progress and Doubt
- The Construction of a Cyclical Time in Possession
- Cropper and the Yew: Liminality and Intertextuality as Functions of the Nonlinear Narrative in A.S. Byatt's Possession
- Angel and Demon: Female Selfhood and the Male Gaze in Byatt and Brontë
- The Living Victorian Past and its Effect on the Present in Possession
- Possession as a Critique of the Victorian Omission of Sexuality
- Critiques of Romantic Inspiration in the Poetic Form in A.S. Byatt's Possession
- Solitude and Secrecy in Possession
- Sex, Secrets, and Foucault: Rewriting Victorian Sexuality in Waterland, Oscar & Lucinda, and Possession: Introduction
- The Postmodern Crisis of Narrative: Byatt, Carey, and Swift
- "An Empty Clean Bed:" Whiteness, Desire and Fear in Possession
- "Follow the Path:" obsessive investigation in Possession
- No Discernible Trace
- Differing Views of Masculinity in Victorian and Modern Texts -- Brontë, Browning, Byatt, Carlyle, and Wolfe
Last Modified 21 May 2004