In Thackeray (1879), Anthony Trollope provides an example of the author of Vanity Fair writing an example of the kind of ballad popular with the Pre-Raphaelites and other Victorian authors — and then parodying it himself! Trollope explains that “the two together give so strong an example of the condition of Thackeray's mind in regard to literary products. The ‘humbug’ of everything, the pretence, the falseness of affected sentiment, the remoteness of poetical pathos from the true condition of the average minds of men and women, struck him so strongly, that he sometimes allowed himself almost to feel,—or at any rate, to say,—that poetical expression, as being above nature, must be unnatural.” As Trollope points out, the poem is “so good so good that if left by itself it would create no idea of absurdity or extravagant pathos in the mind of the ordinary reader.” — George P. Landow.
The Willow-Tree No. I.
Know ye the willow-tree,
Once to the willow-tree
Quick beat her heart to hear
Presently came the night,
Through the long darkness,
Shrill blew the morning breeze,
Domine, Domine! |
The Willow-Tree No. II.
Long by the willow-tree
Rouse thee, sir constable--
Vainly the constable
Mother beside the fire
And a pale countenance
[Pg 69]Yes, 'twas Elizabeth;--
Yesterday, going to Aunt
Whether her pa and ma MORAL.
Hey diddle diddlety, |
References
Trollppe, Anthony. Thackeray. “English Men of Letters series.” London: Macmillan, 1879. Web. Project Gutenberg. E-text prepared by Barbara Tozier, Bill Tozier, Lisa Reigel. 4 August 2013
Last modified 4 August 2013