In Memoriam
- Sounds of Mourning
- In Memoriam: The Problem of Recollection and Writing
- Life in Death: A Question of Finality in Tennyson's In Memoriam A.H.H.
- Doubt and the narrative structure of In Memoriam
- Religion and Emotion in Tennyson's In Memoriam
- Dreams and Visions in In Memoriam
- Form and Meaning in In Memoriam 48
- Addressing the question of the eternal nature of love in Tennyson's In Memoriam 26
- Those left behind
- "Tears of the Widower:" Love and Grief in In Memoriam
- Interpreting Biblical Imagery and the Apocalyptic Moment in Tennyson's In Memoriam and Eliot's The Wasteland
- Identity Formation in In Memoriam 45
- Reconciling the Spiritual and the Material in In Memoriam
- Grief and the Continuation of Life
- Unanswered Questions (In Memoriam 51)
- In Memoriam of Body and Soul (section 95)
- Pagan and Christian Muses in Section 37
"The Kraken"
"The Lady of Shalott"
- Description versus Narration in "The Lady of Shalott"
- The Confinement of the Artist in Tennyson's "The Lady of Shalot"
- The climax in Tennyson's "The Lady of Shalott"
- Polyphony in Poetry: Tennyson's "The Lady of Shalott"
- Tennyson, Hunt, and Shadows in "The Lady of Shalott"
"Locksley Hall"
"The Lotus Eaters"
"Lucretius"
"Mariana"
"The Mermaid"
"The Palace of Art"
- The interplay of form and content in "The Palace of Art"
- "O God-like isolation which art mine"
- The Female Soul in "The Palace of Art" (1)
- The Female Soul in "The Palace of Art" (2)
- Loss of Place and Identity in "The Palace of Art"
- Unstable Binaries in "The Palace of Art"
- Art for Art's Sake in "The Palace of Art"
- The Arrogance of Isolation in "The Palace of Art"
"Tithonus"
Ulysses
Last modified 3 March 2009