Miscellaneous
- Fantasy in Art and Literature
- The Literary Fairy Tale
- Ruskin on the Grotesque
- Ruskin's linked conceptions of ethics, psychology, and aesthetics
- Ruskin turns to Wordsworth at three different times in his critical career
- Ruskin's Theories of Imagination
- Sir Charles Bell and John Ruskin — Victorian Aesthetics and Natural Philosophy
Theories of the Beautiful
- Ruskin's refutation of "False Opinions Held concerning Beauty"
- Ruskin's theory of Typical Beauty
- Ruskin's theory of Vital Beauty
Theories of Representation, Imitation, and Symbolic Thought
- Imitation, the Languages of Art, and Nature's Infinite Variety
- The Symbolical Grotesque — theories of allegory, artist, and imagination
- Paul de Man, Marrying Mind and Nature, and Ruskin's Theories of Symbolism
Pathetic Fallacy
- Introduction
- from Landow, Aesthetic and Critical Theories
- from Sawyer, Ruskin's Poetic Argument
- Ruskin and Baudelaire on art and artist
Ruskin on the Sublime and Picturesque
Interarts Criticism — Painting, Poetry, and Architecture as Sister Arts
- Polemics to Aesthetics: Ruskin's Revisions of the Third Edition of Modern Painters, Volume I
- Ruskin and the tradition of ut pictora poesis
- The use and moral value of art
- Ruskin's conception of painting and poetry as expressive arts
- Conditions of the alliance
- Implications of the alliance
- Ruskin and the Meaning of Architecture
- Architecture as an Expression of Society's Moral Character
Ruskin on Individual Painters and Writers
- The Falling Rocket: Ruskin, Whistler and Abstraction in Art
- Reading the Eighteenth Century: Ruskin on Pope
- Dante and Ruskin's Conception of the Ideal
Last modified 26 July 2013