The Palazzo Peschiere (Genoa) — Book 4, "London and Genoa. 1843-1845," chap. v, "Work in Genoa: Palazzo Peschiere. 1844," 161 in the 1879 edition; I, 228 in the 1872 edition. Extra illustration based on a sketch by The Hon. Mrs. Batson for John Forster's Life of Charles Dickens, the twenty-second volume of the Household Edition (1879). Composite woodblock-engraving by the Dalziels, 7 cm high by 9 cm wide (2 ¾ by 3 ½ inches), vignetted. [Click on the image to enlarge it.]

Passage Illustrated: Settling into Palatial Surroundings in Central Genoa

In the last week of September they moved from Albaro into Genoa, amid a violent storm of wind and wet, "great guns blowing," the lightning incessant, and the rain driving down in a dense thick cloud. But the worst of the storm was over when they reached the Peschiere. As they passed into it along the stately old terraces, flanked on either side with antique sculptured figures, all the seven fountains were playing in its gardens, and the sun was shining brightly on its groves of camellias and orange-trees.

It was a wonderful place, and I soon became familiar with the several rooms that were to form their home for the rest of their stay in Italy. In the centre was the grand sala, fifty feet high, of an area larger than "the dining-room of the Academy," and painted, walls and ceiling, with frescoes three hundred years old, "as fresh as if the colours had been laid on yesterday." On the same floor as this great hall were a drawing-room, and a dining-room, both covered also with frescoes still bright enough to make them thoroughly cheerful, and both so nicely proportioned as to give to their bigness all the effect of snugness. Out of these opened three other chambers that were turned into sleeping-rooms and nurseries. Adjoining the sala, right and left, were the two best bedrooms; "in size and shape like those at Windsor-castle but greatly higher;" both having altars, a range of three windows with stone balconies, floors tesselated in patterns of black and white stone, and walls painted every inch: on the left, nymphs pursued by satyrs "as large as life and as wicked;" on the right, "Phaeton larger than life, with horses bigger than Meux and Co.'s, tumbling headlong down into the best bed." The right-hand one he occupied with his wife, and of the left took possession as a study; writing behind a big screen he had lugged into it, and placed by one of the windows, from which he could see over the city, as he wrote, as far as the lighthouse in its harbour. Distant little over a mile as the crow flew, flashing five times in four minutes, and on dark nights, as if by magic, illuminating brightly the whole palace-front every time it shone, this lighthouse was one of the wonders of Genoa. [Book IV, "London and Genoa. 1843-1845," chap. v, "Work in Genoa: Palazzo Peschiere. 1844," pp. 160-161]

Related Material: Dickens and His Family in Italy, 1844

Scanned image and text by Philip V. Allingham [You may use the image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image, and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]

Bibliography

Ackroyd, Peter. Dickens: A Biography. London: Sinclair-Stevenson, 1990.

Barnard, Fred, et al. Scenes and Characters from the Works of Charles Dickens; being eight hundred and sixty-six drawings by Fred Barnard, Hablot K. Browne (Phiz), J. Mahoney [and others] printed from the original woodblocks engraved for "The Household Edition." London: Chapman & Hall, 1908. Page 568.

[The copy of the book from which these pictures were scanned is in the Irving K. Barber Learning Centre, University of British Columbia, Vancouver, Canada.]

Forster, John. The Life of Charles Dickens. London: Chapman & Hall, 1872 and 1874. 3 vols.

Forster, John. The Life of Charles Dickens. Illustrated by Fred Barnard. 22 vols. London: Chapman & Hall, 1879. Vol. XXII.


Last updated 1 January 2025