Thomas Carlyle
- Mathew Arnold's Complex Relation to Carlyle
- Carlyle's Influence
- Carlyle (and Mill) anticipate interest in historical periods of expansion and contraction
- "Stanzas from the Grande Chartreuse" and Carlyle's "Characteristics"
John Henry Newman
- DeLaura on Newman and Arnold (extended discussion)
- Apologia Pro Vita Sua renews Arnold's interest in Newman
- Arnold's Religous Belief
- Skepticism about metaphysical propositions
- "Function of Criticism" fundamentally indebted to Newman
- Influence of An Essay on the Development of Christian Doctrine (1845)
- Newman and the Center of the Arnoldian Vision
Walter Pater
John Ruskin
- Contrast to Ruskin (on Dante's allegory)
Algernon Charles Swinburne
- “Mr. Arnold has at once a passion and a genius for definitions”: Swinburne on Matthew Arnold’s Critical Method and Judgment
- Swinburne’s Praise for Matthew Arnold’s Tribute to Wordswortht
Gerard Manley Hopkins
- Faith and Dejection: Arnold’s “Stanzas from the Grande Chartreuse” and Hopkins’s Wreck of the Deutschland
- Reviving God: a study of Matthew Arnold and Gerard Manley Hopkins
Miscellaneous
- Arthur Hugh Clough
- Arnold’s poetry of doubt compared to Swinburne
- Charles Kingsley
- Sainte-Beuve
- Bhagavad Gita
- Sophocles
- "Empedocles on Etna" and Varney the Vampire, or The Feast of Blood
- Religion as the Key to Culture: an Arnoldian Interpretation of Victorian Texts
- Arnold does not share Browning's and Tennyson's radical struggle to alter the greater romantic lyric
- John McPhee
- Punch parody of “Dover Beach”
- T. S. Eliot's Four Quartets
Arnold's Critical Reception and Reputation — Then and Now
- Arnold's Reputation as a Poet
- W. E. Henley on Arnold's works
- Henry James on Arnold's Essays in Criticism.
- Arnold as an "elegant Jeremiah"
Last modified 1 December 2019