Maritaña
Phiz
Dalziel
November 1849
Steel-engraving
14.6 cm high by 10 cm wide (5 ⅞ by 4 inches), framed.
Dark plate for Roland Cashel, first published serially by Chapman and Hall, from May 1848 to November, 1849.
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[Return to text of Steig.]
Scanned image and text by Philip V. Allingham.
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Passage Illustrated: The Pampas of Columbia, An Exotic South American Locale
At a short distance from the table, but sufficiently near to observe the game, stood one on whom nothing short of the passion of play could have prevented every eye being bent. But so it was; she stood alone and unmarked, while all the interest was concentrated upon the game. Dressed in a white tunic, or chemise, fastened round the waist by a gold girdle, stood Maritaña Rica, her large and lustrous black eyes eagerly turned to where two youths were standing intensely occupied by the play. Her neck, arms, and shoulders were bare, in Mexican fashion, and even the mantilla she wore over her head was less as a protection than as a necessary accompaniment of a costume which certainly is of the simplest kind. Except the chemise, she had no other garment, save a jupe of thin lama-wool, beautifully embroidered and studded with precious stones; this terminated below the middle of the leg, displaying an ankle and foot no Grecian statue ever surpassed in beauty. [Chapter I, "Don Pedro's Guests," 4]
“Where's Roland?” said he, in a faint whisper, to a young man behind him.
“I saw him with Maritaña, walking towards the three fountains.”
Enrique's pallid cheek grew scarlet, and, rudely pushing his way through the crowd, he disappeared from view.
“There goes a man in a good humor to board a prize,” said one of the bystanders, coolly, and the play proceeded without a moment's interruption.
With his broad-leaved hat drawn down upon his brows, and his head sunk upon his bosom, he traversed the winding walks with the step of one who knew their every turning; at last he reached a lonely and unfrequented part of the garden, where the path, leading for some distance along the margin of a small lake, suddenly turned off towards a flower terrace, the midst of which “the three fountains” stood. [Chapter I, "Don Pedro's Guests," 6]
Commentary
We now follow Enrique, the compatriot of Lieutenant Don Roland de Castel of the trading vessel, Esmeraldo from the gaming table to the fountain. Here, sixteen-year-old Maritaña is to break off her engagement with Roland by throwing his engagement ring into the fountain. Lever implies that even had Roland not just lost eleven thousand doubloons at her father's gaming table, she would have been inclined to break off the engagement. Roland suspects that she only accepted his mariage proposal because he had Mexican prize money which his bad luck at cards has cost him.
Bibliography
Lever, Charles. Roland Cashel. With 39 illustrations and engraved title-vignette by Phiz. London: Chapman & Hall, 1850.
Lever, Charles. Roland Cashel. Illustrated by Phiz [Hablot Knight Browne]. Novels and Romances of Charles Lever. Vols. I and II. In two volumes. Boston: Little, Brown, 1907. Project Gutenberg. Last Updated: 19 August 2010.
Steig, Michael. Chapter One, "Illustration, Collaboration, and Iconography." Dickens and Phiz. Bloomington: Indiana U. P., 1978. Pp. 1-23.
Stevenson, Lionel. Chapter X, "Onlooker in Florence, 1847-1850." Dr. Quicksilver: The Life of Charles Lever. London: Chapman and Hall, 1939. Pp. 165-183
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Created 15 November 2022