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Marion contemplating the sleeping Laura.

John McLenan

28 January 1859

9.7 cm high by 8.8 cm wide (3 ¾ by 2 ⅛ inches), vignetted, p. 69; p. 81 in the 1861 volume.

Ninth regular illustration for Collins's The Woman in White: A Novel (1860).

Scanned image and text by Philip V. Allingham.

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Marion contemplating the sleeping Laura — staff artist John McLenan's uncaptioned headnote vignette for the eleventh weekly number for Wilkie Collins's The Woman in White: A Novel, published on 4 February 1860 in Harper's Weekly: A Journal of Civilization, Vol. IV, "The Story continued by Marian Halcombe, in Extracts from her Diary," 81 in the 1861 volume.

Passage: Laura Fairlie sleeps as Marian studies her

I am writing these lines in the solitude of my own room, long after midnight, having just come back from a stolen look at Laura in her pretty little white bed — the bed she has occupied since the days of her girlhood.

There she lay, unconscious that I was looking at her — quiet, more quiet than I had dared to hope, but not sleeping. The glimmer of the night-light showed me that her eyes were only partially closed—the traces of tears glistened between her eyelids. My little keepsake — only a brooch — lay on the table at her bedside, with her prayer-book, and the miniature portrait of her father which she takes with her wherever she goes. I waited a moment, looking at her from behind her pillow, as she lay beneath me, with one arm and hand resting on the white coverlid, so still, so quietly breathing, that the frill on her night-dress never moved — I waited, looking at her, as I have seen her thousands of times, as I shall never see her again—and then stole back to my room. My own love! with all your wealth, and all your beauty, how friendless you are! The one man who would give his heart’s life to serve you is far away, tossing, this stormy night, on the awful sea. Who else is left to you? No father, no brother—no living creature but the helpless, useless woman who writes these sad lines, and watches by you for the morning, in sorrow that she cannot compose, in doubt that she cannot conquer. Oh, what a trust is to be placed in that man’s hands to-morrow! If ever he forgets it—if ever he injures a hair of her head! —— ["The Story continued by Marian Halcombe, in Extracts from her Diary, November 22d," p. 69; p. 81 in the 1861 volume edition]

Related Material

  • McLenan's other full-size plate for the tenth number: "Just as my head was on the door she caught fast hold of my dress, and stopped me." for 4 February 1860.
  • Fred Walker's poster: The Woman in White for the Olympic's October 1871 adaptation

Bibliography

Collins, Wilkie. The Woman in White: A Novel. New York: Harper & Bros., 1861 (first printing, 15 August 1860; reissued in single-column format in 1902, 548 pages).

Collins, Wilkie. The Woman in White: A Novel. Harper's Weekly: A Journal of Civilization. Illustrated by John McLenan. Vols. III-IV (16 November 1859 through 8 September 1860).

Collins, Wilkie. The Woman in White. Ed. Maria K. Bachman and Don Richard Cox. Illustrated by Sir John Gilbert. London: Minerva, 2006.

Peters, Catherine. "Chapter Twelve: The Woman in White (1859-1860)." The King of the Inventors: A Life of Wilkie Collins. London: Minerva Press, 1992. Pp. 205-225.

Vann, J. Don. "The Woman in White in All the Year Round, 26 November 1859 — 25 August 1860." Victorian Novels in Serial. New York: MLA, 1985. Pp. 44-46.



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