Jacqueline Banerjee, 2009/11. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the photographer and (2) link your document to this URL or cite it in a print one.], at the base of Nelson's Column. John Edward Carew (c.1782-1868). Bronze (from cannon). 1849. Photograph and text by
The four bas-reliefs at the foot of Nelson's Column were cast from cannon captured in Nelson's famous battles, and commemorate his four great victories. This first and most famous panel, The Battle of Trafalgar (sometimes called The Death of Nelson), was put in place in December 1849. The others followed, between 1850 and 1852 (see Read 90).
The panel, Carew's most celebrated work, is packed with shipboard detail, and has great depth. It depicts a scene of frantic activity around the central figure, who is supported by the three men nearest to him:
Hardy, who was a few steps from him, turning round, saw three men raising him up. — "They have done for me at last, Hardy," said he. — "I hope not," cried Hardy. — "Yes!" he replied," my back-bone is shot through." Yet even now, not for a moment losing his presence of mind, he observed, as they were carrying him down the ladder, that the tiller ropes, which had been shot away, were not yet replaced, and ordered that new ones should be rove immediately. Then, that he might not be seen by the crew, he took out his handkerchief, and covered his face and his stars. Had he but concealed these badges of honour from the enemy, England, perhaps, would not have had cause to receive with sorrow the news of the battle of Trafalgar. The cockpit was crowded with wounded and dying men, over whose bodies he was with some difficulty conveyed, and laid upon a pallet in the midshipmen's berth. (Southey 299-300).
This is the account that Carew would most likely have read. Such is the heat of battle that Nelson himself is focussed on it, and some men are too busy even to turn and look at him. At the bottom of the panel is written, "ENGLAND EXPECTS EVERY MAN TO DO HIS DUTY."
Of particular interest is Carew's depiction here of a black combatant on the left-hand side. "Take a closer look ... and you'll spot a sailor, stood up with his rifle firmly in his hands and looking up towards the rigging where the shot came from," writes Katie Wignall, in her informative London blog, "Look Up London." She explains:
His features are unmistakably African and he is included in the scene because he was there, fighting alongside the British that day.
From the "mustard" books on ships that detail every man who fought on ships in The Battle of Trafalgar, there are eighteen men listed as being born in Africa. One of them, George Ryan aged 23, is listed as working on HMS Victory. He served in the Royal Navy until 1813 when he was injured and honourably discharged aged 32.
In fact, David Olusoga has discovered that Ryan was born in Monserrat (presumably Montserrat; see Olusoga's Introduction, and n.22). At any rate, it seems that Victorian artists were ahead of us in integrating the black British into the wider picture, something all the more striking here, in this most iconic of scenes.
- Horatio Lord Nelson by E. H. Baily on the top of the column designed by W. Railton
- The Battle of Copenhagen by John Ternouth
- The Battle of the Nile by W. F. Woodington
- The Battle of Cape St. Vincent by M. W. Watson and W. F. Woodington
- Lions at the base of Nelson's Column
- Trafalgar Square
- Trafalgar Square (setting)
- Compare Liverpool's Nelson Monument
Olusoga, David. Introduction ("Years of Distant Wandering") Black and British: A Forgotten History. Kindle ed. London: Macmillan, 2016.
Southey, Robert. The Life of Nelson. New York: J & J Parker, 1835. Internet Archives. Web. 14 May 2011.
Read, Benedict. Victorian Sculpture. New Haven & London: Yale University Press, 1982.
Last modified 18 April 2017