Christina Rossetti's Literary Relations

[Victorian Web Home —> Authors —> Christina Rossetti —> Works —> Theme and Subject —> Image, Symbol, and Motif]

General

• Rossetti's late-nineteenth-century reputation
• Dante, Petrarch, and Christina Rossetti
• Rossetti's Avante-Garde Poetics
• Christina Rossetti and Aestheticism
• Christina Rossetti and her Contempories: Women and Discourse

Individual Authors

• Dante Alighieri (Chapter in Harrison's Christina Rossetti in Context)
• Anna Eliza Bray
• Christina Rossetti and Anna Eliza Bray — Fashioning a New Form of Fairy Tale in "Goblin Market"
• Elizabeth Barrett Browning
  • EBB and C.Rossetti as women poets
  • Monna Innominata and Sonnets from the Portuguese
  • Gender in Victorian Mourning: The Significance of Sound in Poems of Death
• Robert Browning
• Blues and Punishment: “Fra Lippo Lippi,” “Andrea del Sarto,” “The Heart Knoweth its own Bitterness,” and “Reflection”
• Thomas Carlyle
  • Technique in Carlyle, E. Browning, and Rossetti
  • The Christian Context of Thomas Carlyle and Christina Rossetti
• Mary Coleridge
• Emily Dickinson
• John Keble
• Dante Gabriel Rossetti
  • his influence and support
  • Representations of the Female Voice in Victorian Poetry
• The Romantics
• Emily Dickinson and Mrs. Sigourney
• Virginia Woolf
• Sappho and Christina Rossetti
• A. C. Swinburne
  • both ascetic aesthetes
• Alfred Lord Tennyson
  • "The Palace of Art" and "The Lotos-Eaters."

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Last modified 26 June 2007