Gothic horror, from its inception in the 1760s, has always reflected the societal mores and fears of the era it has been created in, whether consciously, or (perhaps more potently) unconsciously. Gothic literature can function as a snapshot, a lens for the fears and prejudices of the time in which it was created. However, the gothic also has a complex relationship with the past, and with history as a discipline. Much of the early body of gothic fiction was set in the past, often in the form of a ‘found’ historical document, whilst in the new wave of gothic from the 1880s onwards the past functions as an inescapable nemesis, returning to haunt malefactors.
Confirmed Keynote Speakers
- Ailise Bulfin (University College Dublin)
- Laurence Talairach (Toulouse Jean Jaurès University).
The conference will examine three connections between gothic literature and history:
- Firstly, on a disciplinary level, what can academics and students working in the fields of gothic literature and history learn from each other, in terms of using primary and secondary sources and methodological frameworks?
- Secondly, how is the past as a concept and as a plot device interpreted in gothic horror literature?
- Thirdly, how is the discipline of history itself, and the historian or antiquarian as an individual, portrayed in the gothic mode? We would be very interested in considering papers on any of these topics.
Papers can address any chronological period, from the eighteenth century to the present, and any particular national gothic form. Subjects could include, though are by no means limited to:
- Interconnections between history and the gothic
- Using gothic texts as primary sources in the discipline of History
- Using historical archives as contexts for analysing the gothic
- The past as nemesis in the gothic texts
- The relationship between the gothic and the historical romance The gothic text as ‘found’ archival manuscript
- The gothic and the history of sexuality
- The gothic and the history of gender
- The gothic and migration history
- The gothic and imperial history History as ‘grave-robbing’
- Portrayals of historians in gothic fiction
- Academia in gothic fiction
- The gothic and totalitarian re-writing of history
Abstracts of up to 300 words should be sent to d.g.renshaw@reading.ac.uk by 28 January 2022.
Last modified 3 August 2021